On July 13, 2022, the song "Lagi Re Lagan Mane" was released by Baps Swaminarayan Sanstha. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Pramukh Shatabdi Vandana". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Lagi Re Lagan Mane is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Lagi Re Lagan Mane by Baps Swaminarayan Sanstha having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ShreeJi Bawa Din Dayala | Manoj Dave, Himali Dholakia | B♭ Major | 5 | 6B | 101 BPM | ||
| JAI JAI RADHA RAMN | Nitin Devka | D♭ Major | 7 | 3B | 170 BPM | ||
| Mithe Ras Se Bharyo Re Radha | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | F♯ Major | 7 | 2B | 93 BPM | ||
| Sachu Bolone Mara Shyam | Lalita Ghodadra | F Major | 7 | 7B | 107 BPM | ||
| Pyalo Me Pidho Che | Suresh Raval | B♭ Minor | 9 | 3A | 142 BPM | ||
| Rangardh | Shailendra Bharti | C Major | 4 | 8B | 103 BPM | ||
| Janmangal Stotram Fast | Rajkot Gurukul | A♭ Major | 6 | 4B | 160 BPM | ||
| Kunj Me Bhi Radhe | Asif Jeriya, Ami Joshi | F Minor | 5 | 4A | 88 BPM | ||
| Lavo Kankuliyane Chokhaliya | Kanu Patel | B♭ Minor | 4 | 3A | 115 BPM | ||
| Meru To Daga Pan Jena Mann Na Dage | Poonam Barot | C Major | 7 | 8B | 105 BPM | ||
| Dhany Ekadashi | Sachin Limaye, Ninad Mehta, Foram Mehta | F Minor | 5 | 4A | 124 BPM | ||
| Me to Aaje Mahant Swami | Baps Swaminarayan Sanstha | F♯ Major | 6 | 2B | 111 BPM | ||
| Rangila Shreenathji | Master Rana | C Minor | 6 | 5A | 110 BPM | ||
| Maaro Dhanya Banyo Avtaar | Amey Date | B Major | 5 | 1B | 74 BPM | ||
| Janani Jagadamba | Bhanumathi Narasimhan | G Major | 4 | 9B | 102 BPM | ||
| Prabhu Tam Vina | Shree Swaminarayan Temple Bhuj | F♯ Major | 5 | 2B | 146 BPM | ||
| Aasra Is Jahan Ka | Pujya Bhaishree Rameshbhai Ojha | A Major | 2 | 11B | 120 BPM | ||
| Aevi Rudine Rupali | Kanu Patel | D Major | 7 | 10B | 127 BPM | ||
| Jaina Smaran Thi | Kishore Manraja | E♭ Major | 7 | 5B | 150 BPM | ||
| Shrimad Vallabh Kaho | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | D♭ Major | 5 | 3B | 157 BPM | ||
| Koushalyana Kunvar Tamari | Damyanti Bardai, Dipali Somaiya, Chetan Gadhavi | E♭ Major | 6 | 5B | 100 BPM | ||
| Aankh Mari | Anupama Deshpande / Bhumi / Sachin Limaye / Mandar Shinde | F Major | 2 | 7B | 110 BPM | ||
| Tame Re Sundarvanna | Atul Purohit, Himali, Smita Shah | B♭ Major | 4 | 6B | 70 BPM | ||
| Rakh Sada Tav Charne | Satish Dehra, Foram Maheta | D♭ Major | 5 | 3B | 171 BPM | ||
| Bhakti Premavina Dnyan Nako Deva | Rekha Manvatkar, Abhang Bhaktigeet | D♭ Major | 6 | 3B | 132 BPM |