"I Saw My Lady Weeping" by Alfonso Ferrabosco, Evelyn Tubb, Anthony Rooley had its release date on April 16, 2018. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Evelyn Tubb, Anthony Rooley's "Musica transalpina: Musical Migration from Italy to England (1500 - 1800)" album is number 5 out of 21. On top of that, Spain appears to be the country where this track was created. Based on our statistics, I Saw My Lady Weeping's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Saw My Lady Weeping by Alfonso Ferrabosco, Evelyn Tubb, Anthony Rooley to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, L: Chaconne, G. 55 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Major | 1 | 8B | 101 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM | ||
| Couperin, L: Volte, G. 53 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
| Duets for 2 Lutes in a minor and F Major (Losy) - Allemande | Edward Martin and Paul Berget | A♭ Minor | 1 | 1A | 181 BPM | ||
| Couperin, L: Suite en fa: V. Tombeau de Mr. de Blancrocher, G. 81 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol | E♭ Major | 0 | 5B | 67 BPM | ||
| Chiaccona in partite variate | Alessandro Piccinini, Playfords | D♭ Minor | 0 | 12A | 70 BPM | ||
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
| Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM | ||
| Caprice de chacone: Caprice de Chaconne | Francesco Corbetta, Pierre Pitzl | D♭ Major | 1 | 3B | 122 BPM | ||
| Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
| Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20 | Tarquinio Merula, Leila Schayegh, La Centifolia | B Major | 2 | 1B | 80 BPM | ||
| Mrs. M. E. her funeral tears for the death of her husband: 1. Grief, keep within | John Danyel, Ruby Hughes, Jonas Nordberg, Mime Yamahiro-Brinkmann | C Minor | 0 | 5A | 65 BPM | ||
| Lessons for 1, 2 & 3 Viols: Almaine – Coranto I (Page 17) | Alfonso Ferrabosco, Richard Boothby | F Major | 0 | 7B | 82 BPM | ||
| Distressed Innocence, Z. 577: Air II | Henry Purcell, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 125 BPM | ||
| Questi ch'indizio fan del mio tormento | Alfonso Ferrabosco, La Compagnia del Madrigale | D Major | 1 | 10B | 71 BPM | ||
| La Girouette | Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 117 BPM | ||
| Sonata Per Viola da Gamba No. 3 in G Major: I. Andante | Dolci Accenti, Daniele Cernuto, Calogero Sportato, Lorenzo Feder, Mauro Zavagno | D♭ Minor | 1 | 12A | 111 BPM | ||
| Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | B♭ Major | 1 | 6B | 141 BPM | ||
| Prélude | Pierre Attaingnant, Hopkinson Smith | F♯ Minor | 1 | 11A | 127 BPM | ||
| Suite in A Major: V. Sarabande | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Concert pour 4 parties de violes, H. 545: IV. Gigue angloise | Marc-Antoine Charpentier, Chelys Consort of Viols, James Akers | A♭ Minor | 2 | 1A | 75 BPM |