"Taylor & Anna" by Aaron Zigman had its release date on January 1, 2009. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Taylor & Anna's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Aaron Zigman's "My Sister's Keeper (Original Motion Picture Score)" album is number 4 out of 18. Taylor & Anna is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Taylor & Anna by Aaron Zigman to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lake House | Marcelo Zarvos | E Major | 1 | 12B | 107 BPM | ||
| I'm Happy Today | Mark Isham | A♭ Major | 1 | 4B | 166 BPM | ||
| So Much Is Possible | Geoff Zanelli | E Major | 2 | 12B | 99 BPM | ||
| Burying Fuzzy - Instrumental | Rachel Portman, John Lenehan, David Snell | G Major | 0 | 9B | 81 BPM | ||
| Eric Builds Lincoln | Alexandre Desplat, Aaron Zigman | F Major | 0 | 7B | 87 BPM | ||
| Me Before You Orchestral | Craig Armstrong | C Major | 1 | 8B | 73 BPM | ||
| Wonders Of An Ancient Glory - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 59 BPM | ||
| Selbourne Wood | Adrian Johnston | A Minor | 1 | 8A | 66 BPM | ||
| Amelia's Loss | Alexandra Harwood | E Minor | 2 | 9A | 60 BPM | ||
| Arpeggio Theme | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| No Regrets | Ari Posner, Amin Bhatia | G Major | 1 | 9B | 84 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| The Last Goodbye | Aaron Zigman | F Major | 0 | 7B | 84 BPM | ||
| Steve's Theme | Aaron Zigman | C Major | 0 | 8B | 67 BPM | ||
| Locked Out | Andrea Guerra | D♭ Major | 1 | 3B | 90 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| Within A Day | Craig Armstrong | E Major | 1 | 12B | 156 BPM | ||
| Main Title | William Ross | A Major | 1 | 11B | 172 BPM | ||
| Keep Looking Up | Mark McKenzie | F Major | 0 | 7B | 64 BPM | ||
| We Keep in Touch, Okay ? | Ralf Wengenmayr | G Major | 0 | 9B | 73 BPM | ||
| Forever And Back | Brian Tyler | E Minor | 0 | 9A | 71 BPM | ||
| When You Are Strong Enough | Peter Gregson | G Major | 0 | 9B | 71 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| John And Savannah | Deborah Lurie | E♭ Major | 1 | 5B | 78 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM |