- BPM
- 80
- Key
- D♭ Major
- Camelot
- 3B
Rigoletto, Act I: Pari siamo! - Live in Rome, 1966 by Giuseppe Verdi, Kostas Paskalis, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini Song Details
"Rigoletto, Act I: Pari siamo! - Live in Rome, 1966" by Giuseppe Verdi, Kostas Paskalis, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini had its release date on 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 33 in the song's album "Pavarotti – The Opera Collection 2: Verdi: Rigoletto (Live in Rome, 1966)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Rigoletto, Act I: Pari siamo! - Live in Rome, 1966 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Rigoletto, Act I: Pari siamo! - Live in Rome, 1966 by Giuseppe Verdi, Kostas Paskalis, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -17.836 dB
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 15%
- Instrumentalness
- 21%
- Liveness
- 69%
- Loudness
- 70%
- Speechiness
- 7%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La traviata / Act II: "Ah! Dite alla giovine" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | E♭ Major | 1 | 5B | 170 BPM | |
 | Verdi: Aida, Act 1: "Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès) | Giuseppe Verdi, Riccardo Muti, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | G Major | 1 | 9B | 77 BPM | |
| Verdi: Aida, Act 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Aida, Radamès, Amneris, Coro) | Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Luigi Roni, Montserrat Caballé, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | A Major | 4 | 11B | 89 BPM | |
 | Madama Butterfly, Act II: Coro a bocca chiusa "Humming Chorus" | Giacomo Puccini, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | |
 | Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 92 BPM | |
 | Carmen, Act I, No.2 : Scène et Choeur: Regardez donc cette petite qui semble vouloir nous parler (Moralès/Micaëla/Dragons) | Georges Bizet, Ludovic Tézier/Inva Mula/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 89 BPM | |
 | Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | |
 | La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | |
 | Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | |
 | Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | |
 | Requiem, K. 626: Rex tremendae | Wolfgang Amadeus Mozart, Academy of Ancient Music, Stephen Cleobury, Choir of King's College, Cambridge | G Minor | 2 | 6A | 101 BPM | |
 | Mozart: Cosi fan tutte, K. 588, Act 1: "Soave sia il sento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Alain Lombard, Frederica von Stade, Jules Bastin, Kiri Te Kanawa, Orchestre Philharmonique De Strasbourg | A♭ Major | 0 | 4B | 181 BPM | |
 | Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | |
 | Leoncavallo: I pagliacci, Act 1: "Vesti la giubba" (Live) | Ruggero Leoncavallo, Plácido Domingo, Zubin Mehta, Los Angeles Philharmonic | E Minor | 4 | 9A | 90 BPM | |
 | Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres | Richard Wagner, Orchestre de Paris, Daniel Barenboim | G Major | 3 | 9B | 100 BPM | |
 | Giulio Cesare, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 65 BPM | |
 | La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symphony Orchestra, Tobias Ringborg | D Major | 2 | 10B | 89 BPM | |
 | Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | |
 | Gounod: Roméo et Juliette: Ouverture | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | |
 | Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | |
 | La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Chorus, RCA Italiana Opera Orchestra, Fernando Iacopucci, Dorothy Krebill, Harold Enns, Gene Boucher, Sherrill Milnes, Thomas Jamerson, Nancy Stokes, Camillo Sforza, Franco Ruta, Flavio Tasin | C Major | 4 | 8B | 70 BPM | |
 | Nabucco / Act 4: Immenso Jeovha | Giuseppe Verdi, Lucia Popp, Lucia Valentini Terrani, Plácido Domingo, Volker Horn, Piero Cappuccilli, Yevgeny Nesterenko, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D Major | 2 | 10B | 175 BPM | |
 | Bizet: Carmen, Act 3: Entr'acte | Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | |
 | Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | |
 | Requiem, K. 626: Sequentia: Dies irae | Wolfgang Amadeus Mozart, Sir Colin Davis, Angela Maria Blasi, Marjana Lipovsek, Uwe Heilmann, Jan-Hendrik Rootering | G Minor | 4 | 6A | 80 BPM |
- ISRC
- GBF072340006
- Label
- L-M Records/RCA Records