Fantasia on a Theme by Thomas Tallis by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra Song Details

"Fantasia on a Theme by Thomas Tallis" by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra had its release date on February 1, 1987. This song appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Norfolk Rhapsody by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, London Symphony Orchestra, Michael Davis. The song's track number on the album is #3 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Fantasia on a Theme by Thomas Tallis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Fantasia on a Theme by Thomas Tallis by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Fantasia on a Theme by Thomas Tallis being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

Music Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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Popularity: 32%
Loudness: -17.776 dB
Acousticness: 78%
Danceability: 7%
Energy: 12%
Instrumentalness: 84%
Liveness: 32%
Loudness: 70%
Speechiness: 4%
Valence: 4%

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