Manoj Dave, Deepal Gajjar, Maitreyee Vyas's ' "Shreeji Aavo Te Rang" was released on its scheduled release date, January 1, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Manoj Dave, Deepal Gajjar, Maitreyee Vyas's "Manmohan Padprasadi, Vol. 1" album is number 3 out of 17. On top of that, United States appears to be the country where this track was created. Shreeji Aavo Te Rang is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Shreeji Aavo Te Rang by Manoj Dave, Deepal Gajjar, Maitreyee Vyas to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madi Tara Mandiryama | Pamela Jain, Vikram Thakor, Montu, Manoj Dave | D Minor | 6 | 7A | 147 BPM | ||
| Amba Aavo To Ramiye | Pamela Jain, Vikram Thakor, Montu, Manoj Dave | G Major | 7 | 9B | 135 BPM | ||
| Sampurna Ramayan Katha | Vipin Sachdeva | E Major | 7 | 12B | 100 BPM | ||
| Mara Nena Tana Shanagar | Sadhu Krushanpriyadas | C Major | 5 | 8B | 51 BPM | ||
| Krishan Bhagwan Chalyan | Lalita Ghodadra, Raghuveer Kunchala | F Major | 7 | 7B | 89 BPM | ||
| Ame to Tara Nana Bal | Satish Dehra, Foram Maheta | B♭ Minor | 6 | 3A | 138 BPM | ||
| Ambe Maa Ki Aarti | ARCHANA PARMAR | D Major | 6 | 10B | 95 BPM | ||
| श्री राम चंद्र कृपालु भजमन Shri Ram Chandra Kripalu | Hari cassettes | F Minor | 4 | 4A | 148 BPM | ||
| Mere Sai Pyare | Bhai Ajay | F♯ Minor | 5 | 11A | 85 BPM | ||
| Saanson Ki Mala Mein | Rishi Nityapragya | D♭ Minor | 6 | 12A | 81 BPM | ||
| Vallabh Kulna Vhala Shrinathji | Sachin Limaye, Ami Joshi | E♭ Major | 5 | 5B | 148 BPM | ||
| Nagar Kot Ki Javala Mata | Shahnaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Duniya Chalena Shriram | Master Rana | B♭ Minor | 4 | 3A | 80 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Jalaram Bavani | Kardam Sharma Joshi, Kavita Raam | F♯ Major | 7 | 2B | 128 BPM | ||
| Aaj Mara Mandiriyama Male Shrinathji | Nidhi Dholakiya | F♯ Minor | 5 | 11A | 140 BPM | ||
| Nanda Nanda | Dr. Manikantan Menon | F Major | 5 | 7B | 126 BPM | ||
| Maat Sang Chola Saaje | Kunal Chanchal | E♭ Major | 6 | 5B | 130 BPM | ||
| Sharda bhawani hai naam | Rakesh Tiwari | E♭ Major | 5 | 5B | 126 BPM | ||
| Shreeji Aavo Te Rang | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | A Minor | 6 | 8A | 85 BPM | ||
| Janani Ni Jod Sakhi | Nidhi Dholakia | B♭ Minor | 3 | 3A | 121 BPM | ||
| Jay ho Tamari Bahucher madi | Hari cassettes | B♭ Minor | 4 | 3A | 115 BPM | ||
| Bolo Narayana | Dr. Manikantan Menon | G Major | 4 | 9B | 102 BPM | ||
| TAN MAN DHAN | NITIN DEVKA-NIDHO DHOLKIA | D♭ Major | 7 | 3B | 89 BPM | ||
| Lad Ladavo Lala Ne | Manoj Dave | E♭ Minor | 3 | 2A | 158 BPM |