"Sentimental Sequences for Thirteen Performers: Part 3" by Music Contemporary Musica Ensemble, Alexander Raskatov, Alexei Vinogradov had its release date on April 10, 1991. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Music Contemporary Musica Ensemble's "Music Contemporary Musica Ensemble, Vol.3" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Sentimental Sequences for Thirteen Performers: Part 3's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sentimental Sequences for Thirteen Performers: Part 3 by Music Contemporary Musica Ensemble, Alexander Raskatov, Alexei Vinogradov to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 4 | John Cage, Boris Berman | D Major | 0 | 10B | 210 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| 4 Versions: 1 | Music Contemporary Musica Ensemble, Vladislav Shoot, Vladimir Ponkin | E♭ Major | 0 | 5B | 83 BPM | ||
| More Gordian Knots (Version for Woodwind Ensemble): III. Jig | Guy Woolfenden, Czech Philharmonic Wind Ensemble, Shea Lolin | G Minor | 2 | 6A | 68 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | B♭ Major | 1 | 6B | 107 BPM | ||
| Chamber Symphony : Part 3 | Music Contemporary Musica Ensemble, Edison Denisov, Vladimir Ponkin | F♯ Minor | 1 | 11A | 74 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: III. Finale. Prestissimo | Francis Poulenc, Les Vents Français | C Major | 1 | 8B | 112 BPM | ||
| Críptico No. 9 | Iván Enrique Rodríguez, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Bene Feast | Estoria | B♭ Major | 1 | 6B | 107 BPM | ||
| Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | ||
| Whisk and Whirl | Estoria | B♭ Major | 1 | 6B | 107 BPM | ||
| Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
| Chamber Symphony : Part 1 | Music Contemporary Musica Ensemble, Edison Denisov, Vladimir Ponkin | G Minor | 0 | 6A | 101 BPM | ||
| Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM | ||
| Le tombeau de Couperin, M. 68: II. Fugue (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | B♭ Major | 1 | 6B | 107 BPM | ||
| Five Movements for String Quartet, Op. 5: I. Heftig bewegt | Anton Webern, Leonkoro Quartet | B♭ Major | 1 | 6B | 107 BPM | ||
| Violin Concerto: IIa. Fugue, Pt. 3 (Live) | Maya Badian, Romanian National Radio Orchestra, Florin Paul, Ludovic Bács | G Major | 4 | 9B | 72 BPM | ||
| 7 Papillons: No. 5, — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | B♭ Major | 1 | 6B | 107 BPM | ||
| Gentle Waves | Rylandiaa | F Minor | 5 | 4A | 104 BPM | ||
| Lyric Suite: I. Allegretto gioviale | Alban Berg, Leonkoro Quartet | G Minor | 1 | 6A | 81 BPM | ||
| Phalanx Suite: Prolog | R.Kuhn, Rüdiger Edgar Kuhn | F Major | 2 | 7B | 96 BPM |