Metamorphose String Orchestra, Pavel Lyubomudrov's 'The Gloucestershire Wassail - Arr. For String Orchestra' had a release date set for December 16, 2022. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Metamorphose String Orchestra, Pavel Lyubomudrov's "Hark! The Herald Angels Sing" album is number 3 out of 12. On top of that, Italy appears to be the country where this track was created. Based on our statistics, The Gloucestershire Wassail - Arr. For String Orchestra's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Gloucestershire Wassail - Arr. For String Orchestra by Metamorphose String Orchestra, Pavel Lyubomudrov to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lied ohne Worte, Op. 109 - Arr. for Cello & String Orchestra by P. Lyubomudrov | Felix Mendelssohn, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | D Major | 2 | 10B | 172 BPM | ||
| Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
| Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
| Deux Arabesques, L. 66: No. 1 in E Major, Andantino con moto | Claude Debussy, New European Ensemble, Felicia van den End, James Meldrum, Astrid Haring, Emlyn Stam, Willem Stam | G Major | 0 | 9B | 53 BPM | ||
| 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
| Air Variation (After Orchestral Suite No. 3, BWV 1068: II. Air) [Arr. for Violin & String Quintet by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | D Major | 3 | 10B | 87 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Les Sylphides: 1. Prélude | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 99 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Variations on a Theme by Tchaikovsky, Op. 35a: Theme. Moderato | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 2 | 9A | 54 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 645 | Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 79 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 128 BPM | ||
| Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Minor | 1 | 1A | 71 BPM | ||
| Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Renaud Capuçon | A♭ Major | 2 | 4B | 89 BPM | ||
| Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
| 6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza. Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 85 BPM | ||
| Flight | Rachel Portman, Angèle Dubeau, La Pietà | G Minor | 1 | 6A | 84 BPM | ||
| Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | A Minor | 0 | 8A | 81 BPM | ||
| Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Spanish Capriccio, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Metamorphose String Orchestra, Pavel Lyubomudrov | F Major | 0 | 7B | 76 BPM | ||
| The Snowstorm: IV. Romance | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM |