"Sympathy" by Rise Stevens, Robert Merrill had its release date on 1958. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "The Chocolate Soldier". In this album, this song's track order is #3. In terms of popularity, Sympathy is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sympathy by Rise Stevens, Robert Merrill having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I puritani, Act II: O rendetemi la speme... Qui la voce sua soave | Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 96 BPM | ||
| L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
| Les Contes d'Hoffmann: Schlémil! | Jacques Offenbach, Rise Stevens, Clifford Harvuot, Richard Tucker, Alessio De Paolis, Martial Singher, Mildred Miller, Pierre Monteux | B♭ Major | 3 | 6B | 130 BPM | ||
| Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
| Introduction / Summertime: Summertime | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | E♭ Minor | 1 | 2A | 180 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act I: Scena: "Ciel! Rivederla potrò!" | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra | C Major | 2 | 8B | 130 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Tornami a dir che m'ami" (Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Mirella Freni, Philharmonia Orchestra | A Major | 0 | 11B | 80 BPM | ||
| Mignon: As-tu souffert? | Ambroise Thomas, Rise Stevens, Ezio Pinza, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): II. Le spectre de la rose | Hector Berlioz, Benjamin Bernheim, Carrie-Ann Matheson | B♭ Major | 1 | 6B | 78 BPM | ||
| L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
| Toyland | Rise Stevens | F Major | 1 | 7B | 74 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| Roig: Cecilia Valdés: "Salida de Cecilia" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | C Major | 2 | 8B | 111 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
| Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Samson et Dalila, Op. 47: Act I: Je viens celebrer la victoire (Dalila, Samson, Vieillard) | Camille Saint-Saëns, Rise Stevens, Mario del Monaco, Martial Singher, Norman Scott, Giorgio Tozzi, Robert Nagy, Gabor Carelli, Osie Hawkins, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Anonymous, Fausto Cleva | D Minor | 3 | 7A | 82 BPM | ||
| Mignon: Ce pays enchanté n'est-ce pas l'Italie? | Ambroise Thomas, James Melton, Rise Stevens, John Gurney, Ezio Pinza, Wilfrid Pelletier | D♭ Major | 9 | 3B | 80 BPM | ||
| Norma / Act 2 Scene 1: "Si, fino all’ore estreme" (Critical Ed. Maurizio Biondi and Riccardo Minasi) | Vincenzo Bellini, Cecilia Bartoli, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | F Major | 5 | 7B | 135 BPM | ||
| Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
| Don Giovanni, K. 527: Dalla sua pace | Wolfgang Amadeus Mozart, Kenneth Riegel, Lorin Maazel | G Major | 1 | 9B | 86 BPM | ||
| Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
| My Ship | Rise Stevens | B Major | 1 | 1B | 168 BPM |