Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky Song Details

Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky's 'Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice' had a release date set for January 1, 1961. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Shostakovich: Cello Concerto No. 2. Tchaikovsky: Rococo Variations; Andante cantabile. Glazunov: Chant du Ménestrel". In this album, this song's track order is #5. In terms of popularity, Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -27.18 dB
Acousticness: 99%
Danceability: 23%
Energy: 3%
Instrumentalness: 66%
Liveness: 50%
Loudness: 55%
Speechiness: 5%
Valence: 25%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	C Major	7	8B	91 BPM
Danse macabre in G Minor, Op. 40	Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark	G Minor	2	6A	116 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
Giselle, Act II: Entree de Loys - Pas de deux	Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	0	6B	144 BPM
Act I - Dance Of The Soviet Sailors: Apple	St. Petersburg State Symphony Orchestra, Reinhold Glière	D Minor	3	7A	79 BPM
La bayadère: Moderato	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	D Major	1	10B	81 BPM
Symphony No. 7 in A Major, Op. 92: II. Allegretto	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	E Minor	0	9A	77 BPM
Masquerade Suite: Romance	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	B♭ Minor	1	3A	176 BPM
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer	Niccolò Paganini, Scott St. John, Simon Wynberg	A Minor	2	8A	147 BPM
Consolation No. 3 in D-Flat Major, S. 172/3	Franz Liszt, Vladimir Horowitz	D♭ Major	0	3B	70 BPM
Le roi s'amuse: Passepied	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Major	1	11B	88 BPM
Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato	Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra	A Major	3	11B	98 BPM
In Autumn, Op. 11	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	A Minor	1	8A	109 BPM
Adagio in E Major, K. 261	Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra	E Major	1	12B	100 BPM
Stolze & Tchaikovsky: Onegin: Lensky's Variation - Pas de deux. Lensky and Olga (After Eugen Onegin, Op. 24)	Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra	A♭ Major	9	4B	125 BPM
Scheherazade: The voice of Scheherazade	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	G Major	1	9B	132 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	F Major	0	7B	87 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	C Minor	0	5A	85 BPM
Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	84 BPM
Autumn Dream	Archibald Joyce, Victor Makarov, Exemplary Orchestra of Interior Forces of USSR MOI	F♯ Major	2	2B	178 BPM
Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437	Strauss Festival Orchestra, Johann Strauss II	C Major	0	8B	181 BPM
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz	Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons	E♭ Major	0	5B	81 BPM
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato	Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest	E♭ Major	2	5B	99 BPM
Samson et Dalila: Bacchanale	Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist	D Minor	1	7A	122 BPM
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights	Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	C Major	1	8B	73 BPM