"Aftermath, No.1 - Extended Version" by Miklós Rózsa had its release date on January 29, 1960. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Aftermath, No.1 - Extended Version's duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 88 in Ben Hur (Original Motion Picture Soundtrack) [Deluxe Version] by Miklós Rózsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Aftermath, No.1 - Extended Version's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aftermath, No.1 - Extended Version by Miklós Rózsa is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Title | Maurice Jarre | B♭ Major | 4 | 6B | 81 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Activando Sensaciones | Sirenas Celestiales | D♭ Major | 0 | 3B | 121 BPM | ||
| Prelude and Overture | Alfred Newman, Lee Herschberg | B♭ Major | 3 | 6B | 88 BPM | ||
| Approach To Shadizaar - Conan The Destroyer/Soundtrack Version | Basil Poledouris | A Minor | 4 | 8A | 125 BPM | ||
| Acusaciones | Armonias | D Minor | 1 | 7A | 114 BPM | ||
| おんな太閤記 - 2024 Live Version | キンボー・イシイ, NHK Symphony Orchestra | E Minor | 0 | 9A | 125 BPM | ||
| Cantos para Sordos | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| Reunion And Finale (From "Gettysburg") | Cincinnati Pops Orchestra, Erich Kunzel, Timothy Berens | G Major | 3 | 9B | 56 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Nellys sommarvisa | Fredrik Hiller | B Major | 2 | 1B | 103 BPM | ||
| Cliffside Towns of Greece | Shelly | B Minor | 1 | 10A | 140 BPM | ||
| Main Title - Gone With the Wind | Max Steiner | F Major | 4 | 7B | 122 BPM | ||
| Where Eagles Dare: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Minor | 4 | 4A | 62 BPM | ||
| Realmente Convincente | Sirenas Celestiales | C Minor | 0 | 5A | 80 BPM | ||
| The Mystics and Skeksis Fuse to Become the UrSkeks | Trevor Jones | D Major | 4 | 10B | 139 BPM | ||
| Main Title from "The Last of the Mohicans" | Trevor Jones, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 3 | 4B | 85 BPM | ||
| Monstruos Imposibles | Sirenas Celestiales | E♭ Minor | 2 | 2A | 91 BPM | ||
| Battle of Britain Suite: II. March Introduction - March and Siegfried Music | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 65 BPM | ||
| Going Down Together | Die Another Day Soundtrack | C Major | 1 | 8B | 80 BPM | ||
| The Play (Part II) - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | A Minor | 1 | 8A | 78 BPM | ||
| The Uncleans | Miklós Rózsa | D Major | 2 | 10B | 80 BPM | ||
| Venice Carnival Appreciation | Shelly | B Minor | 1 | 10A | 140 BPM | ||
| The Buoyant Swordsman | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 4 | 7A | 106 BPM | ||
| The Escape from Efrafa | Angela Morley | G Major | 3 | 9B | 73 BPM |