Kronos Quartet's ' "Black And Tan Fantasy" was released on its scheduled release date, January 1, 1984. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kronos Quartet's "Monk Suite: Kronos Quartet Plays Music Of Thelonious Monk" album is number 8 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, Black And Tan Fantasy is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Black And Tan Fantasy by Kronos Quartet to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| World To Come, Pt. 4 | David Lang, Maya Beiser | D Minor | 1 | 7A | 74 BPM | ||
| Brandon | Harry Escott | G Minor | 1 | 6A | 120 BPM | ||
| The Double Theme - Version 1 | Andrew Hewitt | F♯ Major | 3 | 2B | 140 BPM | ||
| American Prometheus | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Where Is My Mind | Maxence Cyrin | A Major | 1 | 11B | 142 BPM | ||
| Silk Drape | Jason Hill | D♭ Major | 0 | 3B | 130 BPM | ||
| I. Sequence (Four) | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | D Minor | 3 | 7A | 137 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| Exit Music (For a Film) | Ramin Djawadi | G Major | 2 | 9B | 128 BPM | ||
| Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM | ||
| Scene 5 | Michael Galasso | A Minor | 3 | 8A | 66 BPM | ||
| Dumbledore's Farewell | Nicholas Hooper | A Minor | 1 | 8A | 115 BPM | ||
| Wawshishijay ("Our Beginning") | Kronos Quartet, Obo Addy | D Major | 4 | 10B | 111 BPM | ||
| Bunsen Burner | CUTS | C Minor | 3 | 5A | 95 BPM | ||
| Solveig's Song from Peer Gynt Suite No. 2, Op. 55 | BBC Scottish Symphony Orchestra | A Minor | 2 | 8A | 75 BPM | ||
| Wait For Me | Luca D'Alberto | G Minor | 4 | 6A | 88 BPM | ||
| Start Again | Luca D'Alberto | G Minor | 3 | 6A | 129 BPM | ||
| 絵筆 | 梅林 茂 | D♭ Major | 2 | 3B | 85 BPM | ||
| Scene 4 | Michael Galasso | G Minor | 1 | 6A | 76 BPM | ||
| Going Backwards to Recover That Which Was Left Behind | Christina Vantzou | B Major | 1 | 1B | 147 BPM | ||
| The Spot | Nicholas Britell | A Minor | 3 | 8A | 110 BPM | ||
| Passacaglia - Allegro moderato | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 0 | 9B | 70 BPM | ||
| Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | B♭ Minor | 1 | 3A | 70 BPM | ||
| Reminiscence | Ólafur Arnalds, Alice Sara Ott | D♭ Minor | 1 | 12A | 112 BPM | ||
| Walzer für Robert | Anne Müller | B Minor | 2 | 10A | 132 BPM |