On July 20, 1999, the song "C.B. And Me" was released by Al Grey, Jimmy Forrest. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Night Train Revisited". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Denmark. In terms of popularity, C.B. And Me is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With C.B. And Me by Al Grey, Jimmy Forrest having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Body And Soul | Paul Gonsalves | B♭ Minor | 2 | 3A | 64 BPM | ||
| Cool Fool | Bud Shank | A♭ Major | 4 | 4B | 75 BPM | ||
| Satin Doll | Nat Adderley | C Minor | 5 | 5A | 126 BPM | ||
| Do Nothing Till You Hear from Me | Cootie Williams | G Minor | 5 | 6A | 126 BPM | ||
| I Wish I Knew | Blue Mitchell | G Major | 3 | 9B | 107 BPM | ||
| Big P | Jimmy Heath | D Minor | 4 | 7A | 94 BPM | ||
| Get It Going for Black and Blue | Al Grey, Arnett Cobb | F Major | 5 | 7B | 122 BPM | ||
| Why Mock Me | Noah Peterson | A Minor | 2 | 8A | 134 BPM | ||
| Blues for J.P. | Woody Herman | F Minor | 4 | 4A | 101 BPM | ||
| Stardust | Al Grey | D♭ Major | 0 | 3B | 122 BPM | ||
| Taxi Driver | Bernard Herrmann, J.A.C. Redford, Carl Allen, Kenny Kirkland, Reginald Veal, Joe Henderson, Terence Blanchard | C Major | 2 | 8B | 172 BPM | ||
| Woodsheddin' with Woody | Woody Herman & His Orchestra | D♭ Major | 7 | 3B | 136 BPM | ||
| Rhapsody in Blue | Duke Ellington Orchestra | B♭ Major | 3 | 6B | 81 BPM | ||
| Don't Be Sharp | Reverent Juke | D♭ Major | 4 | 3B | 119 BPM | ||
| Jubilation | Junior Mance | C Major | 2 | 8B | 100 BPM | ||
| Rat Race - 2015 Remaster | Count Basie & His Orchestra | F♯ Major | 2 | 2B | 108 BPM | ||
| Kansas City Riffs | Buster Smith | B♭ Minor | 4 | 3A | 149 BPM | ||
| Gee Baby, Ain't I Good To You - Remastered/2000 | Stanley Turrentine & The Three Sounds | D Minor | 1 | 7A | 92 BPM | ||
| Shirley | The SWR Big Band, Sammy Nestico, Decebal Badila, Klaus Wagenleiter | B♭ Minor | 3 | 3A | 116 BPM | ||
| Birk's Works | Junior Mance | B♭ Minor | 2 | 3A | 125 BPM | ||
| Okay for Baby | The Big 18 | A♭ Major | 5 | 4B | 155 BPM | ||
| Solitude | Al Grey | D♭ Major | 0 | 3B | 65 BPM | ||
| Blues For Alice's Freigth Train | Wycliffe Gordon, Stacy Dillard, Reginald Veal, Herlin Riley | C Major | 1 | 8B | 134 BPM | ||
| Miss Jackie's Delight | Junior Mance | C Minor | 2 | 5A | 127 BPM | ||
| Amsterdam After Dark | George Coleman, Sam Jones, Billy Higgins, Hilton Ruiz | D♭ Major | 4 | 3B | 135 BPM |