"Fanfare For The Common Man" by Aaron Copland, ASU Sun Devil Marching Band, Dr. Robert C. Fleming had its release date on January 1, 2000. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 21 in Arizona State University Marching Band Pass In Review 2000 by ASU Sun Devil Marching Band. Based on our statistics, Fanfare For The Common Man's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fanfare For The Common Man by Aaron Copland, ASU Sun Devil Marching Band, Dr. Robert C. Fleming is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Firebird Suite (1919 Version): Finale - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
| Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
| Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
| Symphonie espagnole, Op. 21: V. Rondo. Allegro | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | ||
| I. Allegro scherzando | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 78 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 87 BPM | ||
| Country Gardens, BFMS 22 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | E♭ Major | 1 | 5B | 174 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A♭ Major | 2 | 4B | 70 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Thema, "Chorale St. Antoni". Andante | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | B♭ Major | 0 | 6B | 175 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Symphony No. 3, "Pastoral Symphony": IV. Lento - Moderato maestoso | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Major | 2 | 9B | 169 BPM | ||
| Masquerade | Anna Clyne, BBC Symphony Orchestra, Marin Alsop | G Major | 4 | 9B | 116 BPM | ||
| Overture to William Tell | Gioachino Rossini, Philadelphia Orchestra, Rossen Milanov | E Major | 0 | 12B | 157 BPM | ||
| Hebrides Overture "Fingal's Cave" | Felix Mendelssohn, Joseph Kalichstein, Jaime Laredo, Scottish Chamber Orchestra | B Minor | 1 | 10A | 132 BPM | ||
| On the Town, Act 1: Lonely Town. Pas de deux | Leonard Bernstein, Alison Balsom, Scott Stroman, Britten Sinfonia | E Major | 2 | 12B | 89 BPM | ||
| Serenade in G Major: II. Air. Lento, ma non troppo (Original Version) | Ernest John Moeran, Ulster Orchestra, Joann Falletta | B♭ Major | 3 | 6B | 156 BPM | ||
| Piano Concerto in F: II. Adagio | George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik | F♯ Major | 0 | 2B | 139 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | ||
| Scheherazade, Op. 35: IV. Allegro molto "Festival at Baghdad" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | C Major | 2 | 8B | 84 BPM | ||
| Finlandia | Jean Sibelius, Chineke! Orchestra, Kevin John Edusei | A♭ Major | 2 | 4B | 68 BPM | ||
| Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
| I. Allegro | Samuel Barber, Leonard Slatkin, St. Louis Symphony, Elmar Oliveria | C Major | 0 | 8B | 106 BPM | ||
| Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM |