On December 29, 1999, the song "Nathuniya Ke Tanka Ture" was released by Bijli Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Nathuniya Ke Tanka Ture". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. The popularity of Nathuniya Ke Tanka Ture is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Nathuniya Ke Tanka Ture by Bijli Rani having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gavanvaan Leija Raja Ji | Kalpana | D Minor | 6 | 7A | 113 BPM | ||
| Satguru Mohe Le Gayo | Hare Madhav Official | D♭ Major | 7 | 3B | 109 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Dil Gaya To Gaya | Mohammed Aziz | E♭ Major | 7 | 5B | 154 BPM | ||
| Ayisan Dihlu Pappy | MANOJ TIWARI, Shobha Mukherjee | F Major | 5 | 7B | 140 BPM | ||
| Ram Ji Mil Jave | Prakash Mali | F Minor | 8 | 4A | 91 BPM | ||
| Aaya Sawan Bada Man Bhaw | Anjali Jain | E Major | 7 | 12B | 103 BPM | ||
| Tor Sang Bharamthe Mola | Gorelal Barman, Ratan Sabiha | F♯ Major | 7 | 2B | 160 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Jive Jaani | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Shiv Charcha Geet - bhojpuri | Appi Prarthi | D♭ Major | 5 | 3B | 105 BPM | ||
| Dheere - Dheere Khol Ae Sevak | Guddu Rangila | D♭ Minor | 9 | 12A | 84 BPM | ||
| Mere Pyar Ko Tum | Bijli Rani | B♭ Major | 6 | 6B | 79 BPM | ||
| Chham Chham Tor Payal | Satish Das | B Minor | 8 | 10A | 140 BPM | ||
| Jogira Sa Ra Ra Ra Ra Ra | Kumar Kiran, Bijli Rani, Sarwan Saaj, Mona, Tumpa Das | F Major | 7 | 7B | 152 BPM | ||
| Roz Rahiyo Nihaare Nayanva Sajanva | Bharat Sharma Vyas | F Minor | 6 | 4A | 156 BPM | ||
| Sumta Kumta Naar | Moinuddin Manchala | G Minor | 8 | 6A | 95 BPM | ||
| Kahan Jaaiba Chhaila | Bijli Rani, Rekha Rani | A Major | 5 | 11B | 160 BPM | ||
| TERI MAND MAND MUSAKANIYA | Mahesh Hiremath | A♭ Major | 5 | 4B | 129 BPM | ||
| Piya More Bohot Nadan Baa | Bijli Rani | E Minor | 6 | 9A | 160 BPM | ||
| Naihare Ke Chaar Go Yearwa | Vishnu Ojha | A♭ Major | 7 | 4B | 133 BPM | ||
| Ke Baleche Ma Aamar | Parikshit Bala | E♭ Minor | 5 | 2A | 155 BPM | ||
| Sadiya Lai Da Balam Calcutiya | Indu Sonali, Koras | F♯ Major | 10 | 2B | 125 BPM | ||
| Ae Ho Ka Ho Sunab Ki Na Ho | Bijli Rani, Dabbu Shukla, Rekha Rani | B♭ Minor | 7 | 3A | 78 BPM | ||
| Gavna Karval Ae Hari Ji | Bharat Sharma Vyas | C Minor | 6 | 5A | 84 BPM |