Akira Rabelais's ' "Berceuse" was released on its scheduled release date, March 26, 2001. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Berceuse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 21 in Eisoptrophobia by Akira Rabelais. Based on our statistics, Berceuse's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Berceuse by Akira Rabelais is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Melancholia II | William Basinski | F Major | 0 | 7B | 67 BPM | ||
| Separations And Reactions | Celer | C Major | 8 | 8B | 76 BPM | ||
| Displacement | Rafael Anton Irisarri | E♭ Major | 0 | 5B | 87 BPM | ||
| Take the Thorn, Leave the Rose | Ana Roxanne | B♭ Minor | 1 | 3A | 81 BPM | ||
| Saraband No. 2 | Akira Rabelais | A Minor | 1 | 8A | 138 BPM | ||
| And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
| The Girl With the Flesh Colored Crayon | Aix Em Klemm | A Major | 3 | 11B | 75 BPM | ||
| The Six Million Dollar Sandwich | The Dead Texan | G Major | 1 | 9B | 143 BPM | ||
| Surface of Soft Steps, Violets Whisper | Akira Rabelais | F Major | 0 | 7B | 78 BPM | ||
| Manuel Antonio Yance Yagual | Redkattseven | D♭ Major | 0 | 3B | 67 BPM | ||
| Layer 001 | Robert Henke | G Major | 3 | 9B | 98 BPM | ||
| Protein Synthesis | Kessel | A Minor | 1 | 8A | 172 BPM | ||
| Drowned God | Abominous | B♭ Minor | 4 | 3A | 88 BPM | ||
| DOG | LEYA, claire rousay | A♭ Major | 2 | 4B | 102 BPM | ||
| The Giant | Bill Nace | D♭ Major | 2 | 3B | 139 BPM | ||
| Waking | Sarah Davachi | E♭ Minor | 0 | 2A | 68 BPM | ||
| The Sick Mind | Laurel Halo | D♭ Major | 2 | 3B | 145 BPM | ||
| Melancholia III | William Basinski | D Major | 3 | 10B | 74 BPM | ||
| And the Permanence of Smoke or Stars | Akira Rabelais | D♭ Major | 0 | 3B | 124 BPM | ||
| ME | Felicia Atkinson, Jefre Cantu-Ledesma | C Major | 0 | 8B | 76 BPM | ||
| Non Qui Ora | Thelma | A Major | 2 | 11B | 170 BPM | ||
| Summer Water | Colleen | E Major | 4 | 12B | 186 BPM | ||
| Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | ||
| 1st Night | Debit | F Minor | 3 | 4A | 117 BPM | ||
| Et l'esprit qui le suit dans son pèlerinage | Akira Rabelais | F♯ Major | 3 | 2B | 74 BPM |