"Alpha et Omega" by Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson had its release date on January 1, 1996. This song appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Rutti: Sacred Choral Music". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Alpha et Omega is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alpha et Omega by Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| Magi viderunt stellam | Amici Cantores | G Minor | 1 | 6A | 97 BPM | ||
| Konzert für Alphorn in F und Streicher: Adagio | Matthias Kofmehl, Carl Rütti, Arco Musicale | C Major | 0 | 8B | 136 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: IV. Agnus Dei | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Now thank we all our God | trad "Nun Danket" arr Allwood, Christ Church Cathedral Choir, Oxford, Stephen Darlington | F Major | 1 | 7B | 79 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| Jacob’s Ladder - I. The Dream | Carl Rütti | D♭ Major | 0 | 3B | 105 BPM | ||
| Petite Symphonie Concertante: Adagio - Allegro con moto | Frank Martin, Chantal Mathieu, Verena Graf, Carl Rütti, Edmond De Stoutz, Zürcher Kammerorchester | C Major | 2 | 8B | 113 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Lord, May Your Word Be Dear to Me SHZ 244 | Laestadian Lutheran Church, Liisa Keranen, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM | ||
| All-night Vigil, Op. 44: Svete tihiy | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | D Minor | 1 | 7A | 78 BPM | ||
| Es ist ein Ros entsprungen | Michael Praetorius, Choir of Merton College, Oxford, Emily Tann, Benjamin Nicholas | F Major | 0 | 7B | 80 BPM | ||
| Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Znamenny Chant: As Many Have Been Baptized, Op. 18c | Alexander Dmitriyevich Kastalsky, Conspirare, Craig Hella Johnson | G Major | 2 | 9B | 87 BPM | ||
| O Lord, Open Thou Our Lips | Carl Rütti, Jan Börner, Schweizer Jugendchor, Nicolas Fink | D Major | 1 | 10B | 80 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Francis Poulenc: Quem vidistis pastores | Lumen Valo | B Minor | 1 | 10A | 131 BPM | ||
| Pure river of water of life | James Whitbourn, Commotio, Matthew Berry | B Minor | 0 | 10A | 112 BPM | ||
| Canticle of Zachariah | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | G Minor | 1 | 6A | 94 BPM | ||
| The Woman with the Alabaster Box | Arvo Pärt, Polyphony, Stephen Layton | G Minor | 1 | 6A | 77 BPM | ||
| Das Mädchen or Ecce ancilla Domini | Carl Rütti, Christopher Duarte | A Major | 0 | 11B | 133 BPM | ||
| Unto Thee Lift I Up Mine Eyes (Psalm 123) | William Crotch, James Anderson-Besant, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 1 | 9B | 65 BPM |