"Octagonal Room: III. Stesso tempo" by Lars Hegaard, Jesper Sivebæk, Alba String Quartet had its release date on March 19, 2021. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Octagonal Room". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Denmark. Octagonal Room: III. Stesso tempo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Octagonal Room: III. Stesso tempo by Lars Hegaard, Jesper Sivebæk, Alba String Quartet having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lark (arr. for Harp) | Mikhail Glinka, Se Hee Hwang | D♭ Major | 1 | 3B | 69 BPM | ||
| Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
| El amor brujo: No. 8. Danza Ritual del Fuego (Arr. for Two Guitars and Percussion by Peter Katona and Zoltán Katona) | Manuel de Falla, Katona Twins, David Garcia Mir | F Minor | 3 | 4A | 148 BPM | ||
| Nature Boy (Arr. for Trumpet & Piano by Roland Pöntinen) | Eden Ahbez, Håkan Hardenberger, Roland Pöntinen | B Minor | 0 | 10A | 132 BPM | ||
| Twine: IV. Like a Dance | Lars Hegaard, Danish Chamber Players, Henrik Vagn Christensen | E Major | 0 | 12B | 137 BPM | ||
| The Cellist of Sarajevo, Op. 12 | David Wilde, Yo-Yo Ma | D♭ Major | 0 | 3B | 79 BPM | ||
| Messiaen: Le Merle noir | Olivier Messiaen, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 93 BPM | ||
| Requiem for Cello Alone: VI. Lux aeterna | Peter Sculthorpe, Pieter Wispelwey | B Major | 3 | 1B | 89 BPM | ||
| Cello Sonata in C Major, Op. 65: II. Scherzo-Pizzicato. Allegretto | Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason | D Major | 1 | 10B | 143 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 5, Alla Tarantella | Erwin Schulhoff, Leonkoro Quartet | D Minor | 1 | 7A | 109 BPM | ||
| Pedro | Aleksander Debicz, Łukasz Kuropaczewski | A Minor | 2 | 8A | 90 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: V. Allegro molto | Béla Bartók, Belcea Quartet | G Major | 4 | 9B | 116 BPM | ||
| The 4 Winds: I. East | Lars Hegaard, Danish Chamber Players, Henrik Vagn Christensen | F Minor | 1 | 4A | 81 BPM | ||
| Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Adagio in F Major, Hob. XVII:9 | Joseph Haydn, Xavier De Maistre | C Major | 2 | 8B | 66 BPM | ||
| String Quartet No. 14 in C-Sharp Minor, Op. 131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Takács Quartet | A♭ Minor | 0 | 1A | 87 BPM | ||
| Points of Disappearance: No. 3, Quarter Note = 84 | Lars Hegaard, Jesper Sivebæk, Morten Zeuthen | D Major | 0 | 10B | 93 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| String Quartet, M. 35: III. Très lent | Maurice Ravel, Emerson String Quartet | D♭ Major | 0 | 3B | 89 BPM | ||
| Let's Fall in Love (Arr. Haginomori for Flute and Piano) | Harold Arlen, Cocomi, 山中惇史 | G Major | 1 | 9B | 78 BPM | ||
| D'un soir triste | Lili Boulanger, Yo-Yo Ma, Kathryn Stott | C Major | 1 | 8B | 81 BPM | ||
| Suita pour hautbois et piano, Op. 17: III. Moderato | Pavel Haas, Philippe Tondre, Danae Dörken | D Minor | 1 | 7A | 109 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM |