The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie's 'Square Dance' had a release date set for August 26, 2008. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Square Dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "The Grapes of Wrath (World Premiere Recording)". In this album, this song's track order is #34. Furthermore, we believe that the track originated from United States. Square Dance is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Square Dance by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Porgy And Bess: I Got Plenty o' Nuttin' | George Gershwin, Donnie Ray Albert, Wilma Shakesnider, Carol Brice, Houston Grand Opera Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | D Major | 2 | 10B | 163 BPM | ||
| I Can't Tell You | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | C Minor | 2 | 5A | 133 BPM | ||
| Priceless | Yakubu | E Major | 1 | 12B | 103 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La sonnambula, Act I: Viva Amina! | Vincenzo Bellini, Gemma Bertagnolli, Peter Kalman, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | G Major | 2 | 9B | 117 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
| Candide / Act II: 24. Bon Voyage | Leonard Bernstein, Nicolai Gedda, London Symphony Orchestra, London Symphony Chorus | B♭ Major | 4 | 6B | 95 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| La Bohème / Act 1: "Chi è là?" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Minor | 0 | 9A | 77 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Un ballo in maschera, Act I: S'avanza il conte - La rivedrà nell'estasi - Il cenno mio | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Giovanni Foiani, Ruggero Raimondi, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| 21. Braid the raven hair, Weave the supple tresses | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | B♭ Major | 1 | 6B | 141 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
| Bellini: I puritani: "Caro, non ho parola ch’esprima il mio contento" (Elvira, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Porgy And Bess: A Woman Is a Sometime Thing | George Gershwin, Alexander B. Smalls, John DeMain, Houston Grand Opera Orchestra, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
| Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | ||
| Peter Grimes, Op. 33 / Prologue: "Peter Grimes!" | Benjamin Britten, David Kelly, Owen Brannigan, Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 104 BPM | ||
| Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM | ||
| Korngold: 6 Einfache Lieder, Op. 9: No. 1, Schneeglöckchen | Erich Wolfgang Korngold, Barbara Hendricks, Franz Welser-Möst, Philadelphia Orchestra | F♯ Minor | 2 | 11A | 66 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schon | Gustav Mahler, Izabella Kłosińska, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM |