"Sérénade" by Anne Gravouin had its release date on December 6, 2022. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Florencia di Concilio's "Maestro(s) (Bande originale du film)" album is number 12 out of 15. On top of that, France appears to be the country where this track was created. In terms of popularity, Sérénade is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sérénade by Anne Gravouin to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet: Les pêcheurs de perles, WD 13, Act 1: "À cette voix" - Romance. "Je crois entendre encore" (Nadir) | Georges Bizet, Rolando Villazón, Munich Radio Orchestra, Michel Plasson | A Minor | 2 | 8A | 71 BPM | ||
| Lied ohne Worte, Op. 109 | Felix Mendelssohn, Pablo Ferrandez, Julien Quentin | F♯ Major | 0 | 2B | 71 BPM | ||
| Laudate dominum | Julie-Anne Moutongo-Black | F Major | 2 | 7B | 64 BPM | ||
| Makedonsko devojče | Nemanja Radulović, Kristina Atanasova Radulović | A Minor | 1 | 8A | 88 BPM | ||
| Le discours d'Arthur | Jérôme Rebotier | G Minor | 1 | 6A | 72 BPM | ||
| Delibes: The Flower Duet (from Lakmé) | All Angels | B Major | 3 | 1B | 115 BPM | ||
| The Terry Theme From "Limelight" / La Violetera From "City Lights" / Je cherche après Titine From "Modern Times" / Awakening From "Limelight" / Theme From "Modern Times" - CITY MEMORIES | Charlie Chaplin, Jose Padilla Sanchez, Léo Daniderff, Louis Maubon, Claude Bertal, Emile Ronn, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | C Minor | 2 | 5A | 82 BPM | ||
| Cantos de España, Op. 232: 2. Asturias - Leyenda | Isaac Albéniz, Simon Ghraichy | C Minor | 1 | 5A | 133 BPM | ||
| Theme d'Hortense | Laurent Aknin | E Minor | 1 | 9A | 149 BPM | ||
| Le piano d'Isabelle | Philippe Rombi | F Minor | 0 | 4A | 110 BPM | ||
| Monnot / Orch. Ducros: Hymne à l'amour | Marguerite Monnot, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | G Major | 1 | 9B | 93 BPM | ||
| Prelude #4 in G, OP 28 | Jack Nitzsche | A Minor | 1 | 8A | 146 BPM | ||
| Concerto Opus 64 | David Naulin, Robert Stepanian | E Minor | 3 | 9A | 87 BPM | ||
| As Far As Florence | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 1 | 10B | 73 BPM | ||
| Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
| Vindication Is Upon Us | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| Spiegel im Spiegel | Arvo Pärt, Tomasz Wabnic, Marek Ruszczynski | A Minor | 1 | 8A | 86 BPM | ||
| Un été 42 | Michel Legrand, Gautier Capuçon, Jerome Ducros, Orchestre de chambre de Paris, Lionel Bringuier | C Major | 1 | 8B | 79 BPM | ||
| La mort du Roi | Stephen Warbeck | A Minor | 3 | 8A | 144 BPM | ||
| Il Treno dei Bambini - Korovev | Nicola Piovani | D Minor | 3 | 7A | 100 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (Adapt. by Tamas Batiashvili for Violin and Orchestra) - NEW YORK | Antonín Dvořák, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | D♭ Major | 0 | 3B | 87 BPM | ||
| Mozart Lacrimosa Variation (From Requiem, K. 626, Arr. for Piano and Cello by Svetoslav Karparov) | Wolfgang Amadeus Mozart, Gabriele Bagnati, Raphaela Gromes | D Minor | 1 | 7A | 62 BPM | ||
| Générique début | Jérôme Lemonnier | F Major | 1 | 7B | 116 BPM | ||
| Swan Lake, Op. 20, TH. 12: Pas de trois: 2. Andante sostenuto (Arr. Eshkeri and Orch. Dannheisser) | Belgrade Philharmonic Orchestra, Andy Brown | C Minor | 1 | 5A | 90 BPM |