- BPM
- 131
- Key
- B♭ Minor
- Camelot
- 3A
Take Your Time by Dudley Moore Song Details
Dudley Moore's 'Take Your Time' had a release date set for November 29, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Dudley Moore's "Have Some Moore!" album is number 14 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Take Your Time's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
BPM and Tempo
We consider the tempo marking of Take Your Time by Dudley Moore to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -17.161 dB
- Acousticness
- 66%
- Danceability
- 73%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 28%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | |
 | And the Same to You - Live at the Cambridge Arts Theatre | Alan Bennett, Peter Cook, Jonathan Miller, Dudley Moore | A♭ Major | 5 | 4B | 111 BPM | |
 | The Lark Ascending - Excerpt | Ralph Vaughan Williams, Dimity Hall, Antony Walker, Sinfonia Australis | D♭ Major | 1 | 3B | 100 BPM | |
 | First Suite of English Folk Dances: No. 3 Dick's Maggot | Ernest Tomlinson, Slovak Radio Symphony Orchestra | B♭ Major | 0 | 6B | 183 BPM | |
 | Take a Pew | Peter Cook, Dudley Moore, Jonathan Miller, Alan Bennett | C Minor | 3 | 5A | 127 BPM | |
 | Clarinet Concerto in A Major, K. 622: II. Adagio (Cadenza: Neidich) | Wolfgang Amadeus Mozart, Charles Neidich, Orpheus Chamber Orchestra | D♭ Major | 4 | 3B | 101 BPM | |
 | Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Version for Two Trumpets & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM | |
 | By the Sleepy Lagoon | Eric Coates, John Wilson, BBC Philharmonic | C Major | 1 | 8B | 77 BPM | |
 | Suite No. 1 for Flute & Jazz Piano Trio: II. Sentimentale - Instrumental | Claude Bolling, Jean-Pierre Rampal | F Major | 1 | 7B | 60 BPM | |
 | Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | |
 | Pavane pour une infante defunte | Maurice Ravel, CSR Symphony Orchestra, Bratislava, Keith Clark | D Major | 1 | 10B | 88 BPM | |
 | Elgar / Orch. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | |
 | Carnival of the Animals: Introduction and Royal March of the Lion | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Toby Hughes | C Major | 2 | 8B | 81 BPM | |
 | Jesu, Joy Of Man’s Desiring (From Cantata No. 147) | Jacques Loussier Trio | G Major | 1 | 9B | 176 BPM | |
 | Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) | George Fenton | F♯ Major | 0 | 2B | 65 BPM | |
 | Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse - Trio | Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green | D♭ Minor | 1 | 12A | 93 BPM | |
 | The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | |
 | Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon (Instrumental Version) | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | |
 | Valse triste, Op. 44 No. 1 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | |
| And the Same to You | Peter Cook, Dudley Moore, Jonathan Miller, Alan Bennett | A♭ Major | 4 | 4B | 150 BPM | |
 | Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | |
 | Aftermyth Of War | Irving Berlin, David, Norbert Schultze, Hans Leip, Nicholas Brodszky, Beyond The Fringe, Dudley Moore | C Major | 2 | 8B | 90 BPM | |
 | Bedazzled | Peter Cook, Dudley Moore | D Major | 7 | 10B | 107 BPM | |
 | Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 4. Forlana | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | F♯ Major | 1 | 2B | 103 BPM | |
 | Rachmaninoff: Rhapsody On A Theme Of Paganini | John Barry, John Debney, Royal Scottish National Orchestra | D♭ Major | 1 | 3B | 128 BPM |
- ISRC
- GBHFB1862714
- Label
- L-M Records/RCA Records