- BPM
- 100
- Key
- D♭ Major
- Camelot
- 3B
The Lark Ascending - Excerpt by Ralph Vaughan Williams, Dimity Hall, Antony Walker, Sinfonia Australis Song Details
"The Lark Ascending - Excerpt" by Ralph Vaughan Williams, Dimity Hall, Antony Walker, Sinfonia Australis had its release date on January 4, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 16 in Arcadia: Visions of Pastoral Bliss by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, The Lark Ascending - Excerpt is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of The Lark Ascending - Excerpt by Ralph Vaughan Williams, Dimity Hall, Antony Walker, Sinfonia Australis is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -25.38 dB
- Acousticness
- 91%
- Danceability
- 50%
- Energy
- 5%
- Instrumentalness
- 91%
- Liveness
- 18%
- Loudness
- 58%
- Speechiness
- 3%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | |
 | Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | |
 | Goin' Home | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | G Major | 1 | 9B | 135 BPM | |
 | Spiegel im Spiegel (Arr. for Piano) | Arvo Pärt, Tamara Anna Cislowska | F Major | 0 | 7B | 99 BPM | |
 | Pärt: Spiegel im Spiegel (Excerpt) | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 82 BPM | |
 | Violin Concerto No. 1: II. Crotchet = c. 108 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | C Minor | 0 | 5A | 86 BPM | |
 | Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | |
 | Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | |
 | Antarctica - Suite for guitar and orchestra: 2. Wooden Ships | Nigel Westlake, Tasmanian Symphony Orchestra, David Porcelijn | E Major | 0 | 12B | 81 BPM | |
 | Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | |
 | 49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | |
 | Eclogue for Piano and Strings, Op. 10 | Gerald Finzi, Peter Donohoe, Royal Northern Sinfonia, Howard Griffiths | F Minor | 1 | 4A | 66 BPM | |
 | Fantasia on a Theme by Thomas Tallis | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | G Major | 1 | 9B | 87 BPM | |
 | Sinfonia da Pacifica: 2. Recitativo. Lento tranquillo | Peggy Glanville-Hicks, Richard Mills, Tasmanian Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | |
 | Ancient Airs & Dances, Suite II, P. 138: III. Campanae parisienses – Aria (Anon/Mersenne) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Major | 0 | 8B | 74 BPM | |
 | Adagio for Strings, Op. 11 - Live | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 86 BPM | |
 | Requiem in D Minor, K. 626: III. Sequentia - Lacrimosa | Wolfgang Amadeus Mozart, Cantillation, Antony Walker, Orchestra of the Antipodes | D Minor | 1 | 7A | 83 BPM | |
 | Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | |
 | Nimrod (From the Enigma Variations) | Edward Elgar | E♭ Major | 3 | 5B | 103 BPM | |
 | Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | |
 | The Yellow Cake Revue: Farewell to Stromness | Peter Maxwell Davies | D Major | 0 | 10B | 73 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" | Edward Elgar, Adelaide Symphony Orchestra, David Stanhope | E♭ Major | 1 | 5B | 89 BPM | |
 | The Lark Ascending | Ralph Vaughan Williams, Andrew Davis, BBC Philharmonic, BBC Symphony Orchestra, Tasmin Little | E Minor | 0 | 9A | 80 BPM | |
 | Vaughan Williams: The Lark Ascending | Ralph Vaughan Williams, Sir Adrian Boult, Hugh Bean, New Philharmonia Orchestra | E Minor | 0 | 9A | 102 BPM | |
 | Binge: Elizabethan Serenade, "The Man in the Street" | Ronald Binge, Reginald Kilbey, Studio 2 Symphony Orchestra | F Major | 1 | 7B | 149 BPM |
- ISRC
- AUAB00750721
- Label
- L-M Records/RCA Records