- BPM
- 143
- Key
- G Minor
- Camelot
- 6A
Heaven by Pius Cheung, Eriko Daimo Song Details
"Heaven" by Pius Cheung, Eriko Daimo had its release date on April 15, 2022. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Pius Cheung- Heaven and Earth, A Ballet for Percussion Ensemble". In this album, this song's track order is #1. Based on our statistics, Heaven's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Heaven by Pius Cheung, Eriko Daimo having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -28.928 dB
- Acousticness
- 98%
- Danceability
- 35%
- Energy
- 5%
- Instrumentalness
- 93%
- Liveness
- 24%
- Loudness
- 52%
- Speechiness
- 6%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite of Preludes: No. 1, Animato | Kazimierz Serocki, Miyako Arishima | B♭ Minor | 3 | 3A | 110 BPM | |
 | Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | F Minor | 0 | 4A | 104 BPM | |
 | Void Pulse | Astrid Voix | F Minor | 0 | 4A | 104 BPM | |
 | Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | |
 | John Adams Road Movies I Relaxed Groove | Frank Cassara, Helen Lin | F♯ Minor | 4 | 11A | 99 BPM | |
 | Sensemayá | Silvestre Revueltas, N/A, Banda de Lalín, Bram Sniekers | B♭ Major | 1 | 6B | 90 BPM | |
 | Quatuor pour la fin du Temps: II. Vocalise, pour l’Ange qui annonce la fin du Temps | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | F Minor | 0 | 4A | 104 BPM | |
 | Le tombeau de Couperin, M. 68: II. Fugue (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | F Minor | 0 | 4A | 104 BPM | |
 | Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | |
 | Nocturno, Op. 7 | Franz Strauss, Xiao-Ming Han, Rainer Müller-van Recum, Marc Engelhardt, Dora Bratchkova, Peter Schmalfuss | B♭ Major | 1 | 6B | 112 BPM | |
 | Bloom 1: morning | Michael Torke, Sandbox Percussion | E Major | 0 | 12B | 95 BPM | |
 | Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 0 | 4A | 104 BPM | |
 | Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | |
 | Techno-Parade | Guillaume Connesson, Anna Miernik, Barbara Borowicz, Martyna Klupś-Radny | A♭ Minor | 2 | 1A | 138 BPM | |
 | Lux Aurumque - Arr. for Marimba Quartet | Eric Whitacre, Joby Burgess, Sam Wilson, Calum Huggan, Rob Farrer | D♭ Minor | 0 | 12A | 147 BPM | |
 | Tableaux de Provence: II. Cansoun per ma Mio | Paule Maurice, Dominic Childs, Simon Callaghan | G Major | 0 | 9B | 65 BPM | |
 | Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | |
 | Hommage à J Sebastian Bach | Béla Kovács, José María Belló García | B Minor | 1 | 10A | 120 BPM | |
 | Flute Sonata in A Minor, Wq. 132, H. 562 | Carl Philipp Emanuel Bach, Mirjam Nastasi | A Major | 1 | 11B | 167 BPM | |
 | Sextet: I. Fast | Steve Reich, David Friend, Oliver Hagen, Third Coast Percussion | F Minor | 4 | 4A | 196 BPM | |
 | Improvisation et caprice: I. Improvisation | Eugène Bozza, Jean-Pierre Baraglioli | C Major | 1 | 8B | 127 BPM | |
 | Summer Music, Op. 31: I. Slow and Indolent | Samuel Barber, Ensemble Ouranos | A♭ Minor | 0 | 1A | 134 BPM | |
 | Nocturne for Percussion Ensemble | Pius Cheung, TCU Percussion Orchestra, Brian A. West | F Major | 0 | 7B | 68 BPM | |
 | Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | F Minor | 0 | 4A | 104 BPM | |
 | Land | Takatsugu Muramatsu, Alex Petcu | A Major | 0 | 11B | 80 BPM |
- ISRC
- QM9A92074764
- Label
- L-M Records/RCA Records