Pēteris Vasks, Spīķeru String Quartet's 'String Quartet, No. 4: IV. Toccata II' had a release date set for April 22, 2016. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vasks: String Quartets 1, 3 & 4 by Pēteris Vasks, Spīķeru String Quartet. The song's track number on the album is #4 out of 12 tracks. In terms of popularity, String Quartet, No. 4: IV. Toccata II is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since String Quartet, No. 4: IV. Toccata II by Pēteris Vasks, Spīķeru String Quartet has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With String Quartet, No. 4: IV. Toccata II being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
| 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | ||
| Nacht und Träume, Op. 43 No. 2, D. 827 (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 92 BPM | ||
| Movement I | Philip Glass, Dennis Russell Davies, Bruckner Orchester Linz | F Major | 1 | 7B | 120 BPM | ||
| Chant from a Holy Book | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | C Major | 0 | 8B | 171 BPM | ||
| Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
| Hymne | Anja Lechner, François Couturier | D Minor | 0 | 7A | 75 BPM | ||
| Flight of The Angel (Behind The Mask) | Lauren Scott | F Major | 0 | 7B | 112 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| Fear no more the heat of the sun, Op.18, No.3 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 0 | 5A | 84 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | F Major | 0 | 7B | 112 BPM | ||
| Continuum II | Jane Antonia Cornish, Decoda | G Major | 1 | 9B | 76 BPM | ||
| Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
| Plainscapes: Plainscape II | Pēteris Vasks, Voces8, Mari Samuelsen, Hakon Samuelsen | A Minor | 1 | 8A | 71 BPM | ||
| A Thousand Tongues | Missy Mazzoli, Emily D'Angelo, Mikayel Hakhnazaryan | D♭ Minor | 2 | 12A | 73 BPM | ||
| 7 Papillons: No. 5, — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Truman Sleeps (Arr. Parkin) | Philip Glass, Jess Gillam, Jess Gillam Ensemble | D♭ Major | 0 | 3B | 142 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Ancient Suite | Hildegard von Bingen, Martin Fröst | E Minor | 1 | 9A | 132 BPM | ||
| Song of the Birds | Pau Casals, Daniel Müller-Schott | C Major | 0 | 8B | 130 BPM | ||
| Asturiana - I | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
| Elegy for English Horn, Harp & String Orchestra | Peter Boyer, Christine Pendrill, Bryn Lewis, London Symphony Orchestra | A Minor | 1 | 8A | 98 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM |