On May 24, 2002, the song "Galti Bula Hamaar Ba" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Ae Piya by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Galti Bula Hamaar Ba is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Galti Bula Hamaar Ba by Madan Rai is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pap Taru Parkash Jadeja | Hari Bharwad | F♯ Major | 7 | 2B | 117 BPM | ||
| Mor Driver Milal Balamua | Khesari Lal Yadav | B♭ Minor | 7 | 3A | 179 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Chhepi Joro Mero Yaar Pahadan Manh Bhaderwahi Song | Mool Raj Misher | F Minor | 6 | 4A | 103 BPM | ||
| Bhej Mati Panghat | Gopal Rai | A♭ Major | 6 | 4B | 170 BPM | ||
| Sajna Syan Hum Nadan | Madan Rai | A♭ Major | 9 | 4B | 147 BPM | ||
| Ram Nam Tu Bhaj Le Pradi | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Mehndipur Ke Balaji Ka | Pt. Gyanendra Sharma | E Major | 9 | 12B | 73 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Bhanwarwa Ke Tohra Sang Jaayi | MANOJ TIWARI | F♯ Major | 5 | 2B | 156 BPM | ||
| Roop Anek Daya Ke Sagar | Devendra Pathak, Madan Rai, Satendra Pathak, Shashi Pathak, Neetu Singh | G Major | 7 | 9B | 84 BPM | ||
| Ham Nahi Janani Ki Man Me Basake | Babita Kinnar, Golu Raja | D Minor | 7 | 7A | 91 BPM | ||
| Charno Main Teri Maiya | Kushal Barath, Mahendra | A Major | 5 | 11B | 110 BPM | ||
| Mil Kaho Garv Se Hindu | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Hara Hun Baba | Kanhaiya Mittal | C Minor | 7 | 5A | 95 BPM | ||
| Saasu Mora Mare Rama | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Tohar Tab Yaad Aave | Madan Rai | D♭ Minor | 4 | 12A | 92 BPM | ||
| Hum Ta Mangni | Sharda Sinha | E Minor | 5 | 9A | 81 BPM | ||
| Puja Ke Hetu Shankar | Kunj Bihari Mishr | A♭ Major | 7 | 4B | 106 BPM | ||
| Angana Me Pisele Haradiya | Chandan Tiwari | A♭ Minor | 6 | 1A | 140 BPM | ||
| Mal Mal Ke Nahaye | Gofelal Gendle, Chandrkala Gendle | B♭ Major | 8 | 6B | 154 BPM | ||
| PYARA PYARA SHYAM JI | Saurabh Aggarwal, Vishesh Bhanderi | A♭ Major | 8 | 4B | 95 BPM | ||
| Baajna Kahela Hum Baajab | Aarti Mishra, Madan Rai, Tarun Toofani | E♭ Major | 8 | 5B | 94 BPM | ||
| Shiv Ke Roop Me Aap Viraje | Manish Tiwari | A♭ Minor | 8 | 1A | 78 BPM |