Carlos de Almeida, Roney Marczak, Christian Ruvolo's ' "Seresta No. 6" was released on its scheduled release date, August 6, 2001. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Seresta No. 6's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 17 in Descobertas II (Música Brasileira, Arr. for Violin and Piano) by Roney Marczak, Christian Ruvolo. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. In terms of popularity, Seresta No. 6 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Seresta No. 6 by Carlos de Almeida, Roney Marczak, Christian Ruvolo is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Sonata No. 3, Op. 45: III. Allegro animato | Edvard Grieg, Augustin Dumay, Maria João Pires | F Major | 0 | 7B | 78 BPM | ||
| La ronde des lutins, Op. 25 | Antonio Bazzini, Itzhak Perlman, David Garvey | D Minor | 3 | 7A | 169 BPM | ||
| Salut d'amour, Op. 12, "Liebesgrüss": Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano) [Version for violin and piano] | Edward Elgar, Elissa Lee Koljonen, Robert Koenig | E Major | 1 | 12B | 85 BPM | ||
| 6 Morceaux: No. 3, Berceuse | Pauline Viardot, Rachel Barton Pine, Matthew Hagle | G Minor | 1 | 6A | 128 BPM | ||
| Chaminade / Arr Kreisler: Sérénade espagnole | Cécile Chaminade, Itzhak Perlman | D Major | 2 | 10B | 101 BPM | ||
| Hungarian Dance No. 1 | Johannes Brahms, Michael Collins, Michael McHale | G Minor | 2 | 6A | 73 BPM | ||
| Waltz In A Minor | Frédéric Chopin, Catherine Manoukian | A Minor | 1 | 8A | 130 BPM | ||
| Sonata for Violin and Piano: II. Largo sostenuto | Nino Rota, Alessio Bidoli, Bruno Canino | B♭ Major | 2 | 6B | 36 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 78: No. 2 in E Minor (Arr. Kreisler for Violin and Piano) | Antonín Dvořák, Renaud Capuçon, Jerome Ducros | C Major | 1 | 8B | 134 BPM | ||
| Reflections (Arr. for Cello & Piano by Julian Riem) | Toshifumi Hinata, Raphaela Gromes, Julian Riem | A Minor | 0 | 8A | 91 BPM | ||
| Piano Trio No. 2 in C Minor, Op. 66, MWV Q 33: II. Andante espressivo | Felix Mendelssohn, Julia Fischer, Jonathan Gilad, Daniel Müller-Schott | E♭ Major | 0 | 5B | 81 BPM | ||
| Dvorák: Lasst mich allein (From 4 Lieder, Op. 82, B. 157) | Antonín Dvořák, Gautier Capuçon, Jerome Ducros | B Major | 0 | 1B | 129 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano) | Claude Debussy, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 174 BPM | ||
| Immer oder nimmer Walzer, Op. 156 | Émile Waldteufel, Mela Tenenbaum, Anton Nel | A Major | 1 | 11B | 131 BPM | ||
| Debussy: La plus que lente, CD 128, L. 121 (Arr. Roques for Violin and Piano) | Claude Debussy, Vilde Frang, José Gallardo | G Major | 1 | 9B | 125 BPM | ||
| Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
| Posthumous Nocturne In C Sharp Minor No. 20 | Frédéric Chopin, Angèle Dubeau, La Pietà | D♭ Minor | 1 | 12A | 69 BPM | ||
| 月の光(ドビュッシー/ローレンス編) | Claude Debussy, Narimichi Kawabata | C Major | 2 | 8B | 91 BPM | ||
| Sonate for Violin and Piano in a Major for Cello | César Frank | F♯ Minor | 0 | 11A | 85 BPM | ||
| Miniature No. 7 | Giya Kancheli, Andrea Cortesi, Marco Venturi | F♯ Minor | 0 | 11A | 78 BPM | ||
| Vocalise-Etude (arr. for violin and piano) | Gabriel Fauré, Malin Broman, Simon Crawford-Phillips | A Minor | 1 | 8A | 47 BPM | ||
| Poem for Flute & Piano | Charles Griffes, Laurel Zucker, Marc Shapiro | F Major | 1 | 7B | 77 BPM | ||
| Pièces de viole: No. 24, Rondeau (Attrib. Jean-Baptiste Lully) [Arr. for Violin & Piano] | Jean-Baptiste Lully, Takako Nishizaki, Terence Dennis | A Minor | 1 | 8A | 81 BPM | ||
| 7 Gipsy Melodies, Op. 55, "Zigeunerlieder" (Arr. For Violin And Piano) : Songs My Mother Taught Me, Op. 55, No. 4 | Antonín Dvořák, Zhou Qian, Edmund Battersby | C Major | 2 | 8B | 189 BPM | ||
| Violin Concerto No. 3 In E Major, MS 50: II. Adagio, Cantabile Spianato | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | A Major | 0 | 11B | 98 BPM |