Judith Raskin, Mario Lanza, Raymond Marcell's 'I Want a Kiss' had a release date set for March 13, 2012. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. I Want a Kiss's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Opera Legacy". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. The popularity of I Want a Kiss is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Want a Kiss by Judith Raskin, Mario Lanza, Raymond Marcell having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturnes: III. Witchery | Miriam Gideon, Judith Raskin, John DeMain | B Major | 0 | 1B | 136 BPM | ||
| Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
| Medea (Medee) (Sung in Italian): Act I: Aria: Dei tuoi figli la madre (Medea) | Luigi Cherubini, Nicola Zaccaria, Elizabeth Carron, Jon Vickers, Maria Callas, Teresa Berganza, Peter Binder, Judith Raskin, Mary MacKenzie, Happy Thigpen, Janet Thigpen, Dallas Civic Opera Company Chorus, Dallas Civic Opera Company Orchestra, Nicola Rescigno | G Minor | 8 | 6A | 75 BPM | ||
| French Military Marching Song | Mario Lanza, Judith Raskin | B♭ Major | 5 | 6B | 128 BPM | ||
| "Medina", Atto Terzo: Introduzione | Nicola Zaccaria, Elisabeth Carron, Jon Vickers, Maria Callas, Teresa Berganza, Peter Binder, Judith Raskin, Mary MacKenzie, Happy & Janet Thigpen | B♭ Major | 4 | 6B | 78 BPM | ||
| Bellini: I puritani: "Ah, dolor! Ah, terror!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La Sonnambula / Act 1: Tutto è gioia, tutto è festa | Vincenzo Bellini, Gemma Bertagnolli, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E♭ Major | 1 | 5B | 173 BPM | ||
| Carmen, Act I: Scene & Chorus. Sur la place chacun passe | Georges Bizet, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Major | 0 | 6B | 97 BPM | ||
| Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | ||
| Stabat Mater: 6. Sancta Mater istud agas | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | A♭ Major | 1 | 4B | 71 BPM | ||
| Messiah, HWV 56: Part 1: But who may abide ( Air) | Nikolaus Harnoncourt | D♭ Minor | 2 | 12A | 90 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
| German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VIII. Gloria sit Patri Domino - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Nationaal Kinderkoor, Nationaal Jongenskoor, Roya | A♭ Major | 3 | 4B | 96 BPM | ||
| Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | B♭ Major | 1 | 6B | 82 BPM | ||
| Semele, HWV 58 / Act 1: The Morning Lark To Mine Accords His Note | George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson | F Major | 1 | 7B | 140 BPM | ||
| Orfeo ed Euridice: Act III: Trionfi Amore! | Christoph Willibald Gluck, Renato Fasano, I virtuosi di Roma, Instrumental Ensemble of the Collegium Musicum Italicum | C Major | 3 | 8B | 83 BPM | ||
| Tosca, Act I: Ora stammi a sentir | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Johannespassion, BWV 245 , Part I: No. 9 Aria: "Ich folge dir gleichfalls mit freudigen Schritten" - 2025 Remastered | Johann Sebastian Bach, Eugene Ormandy, Judith Raskin, Philadelphia Orchestra | B♭ Major | 2 | 6B | 187 BPM | ||
| Puccini: Turandot, Act 1: "Perché tarda la luna?" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Minor | 0 | 11A | 78 BPM | ||
| Morgiane, ou, Le sultan d'Ispahan, Act II: Introduction - Ouvrons le marché - Live | Edmond Dede, Taylor White, OperaCréole Ensemble, Opera Lafayette Orchestra, Patrick Dupre Quigley, Givonna Joseph | D Minor | 1 | 7A | 84 BPM | ||
| Il barbiere di Siviglia / Act 1: No.1 Introduzione: "Piano, pianissimo" | Gioachino Rossini, Giorgio Giorgetti, Nicola Monti, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | G Major | 1 | 9B | 104 BPM | ||
| Seydelmann: Il Turco in Italia, Act 1: "Girate quel guardo" (Selim) | Franz Seydelmann, Bruno de Sá, Jarosław Thiel, Wrocław Baroque Orchestra | B♭ Major | 1 | 6B | 120 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM |