"Intelligence, Act One: Scene 4, In Town" by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, J'nai Bridges, Michael Mayes, Nicholas Newton had its release date on August 29, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges's "Jake Heggie: Intelligence" album is number 10 out of 25. Intelligence, Act One: Scene 4, In Town is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intelligence, Act One: Scene 4, In Town by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, J'nai Bridges, Michael Mayes, Nicholas Newton to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Sept chansons pour Gladys, Op. 151: No. 1, M'a dit Amour | Charles Koechlin, Julie Roset, Susan Manoff | A Minor | 1 | 8A | 100 BPM | ||
| Puccini: Turandot, Act 1: "La grazia!" - "O divina bellezza" (Coro, Calaf) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 79 BPM | ||
| Simon Boccanegra: Prologo: Che dicesti (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, Mattia Olivieri, Andrea Pellegrini, Ludovic Tezier, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | C Major | 0 | 8B | 134 BPM | ||
| Lorelei, Op. 7 | Hans Sommer, Constance Heller, Gerold Huber | A♭ Minor | 2 | 1A | 73 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Tosca, Act III: E lucevan le stelle (Arr. for Saxophone Quartet & Piano by Stefan Malzew) | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Daniel Behle, Alliage Quintett | B Minor | 1 | 10A | 166 BPM | ||
| Lohengrin, WWV 75 / Act I: "Einsam in trüben Tagen" | Richard Wagner, Cheryl Studer, Hartmut Welker, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 82 BPM | ||
| Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov, Liliana Nichiteanu, Valentina Valente, Eugenia Gorochovskaya, Philip Langridge, Albert Shagidullin, Samuel Ramey, Sergej Larin, Marjana Lipovek, Helmut Wildhaber, Gleb Nikolsky, Elena Zaremba, Alexander Fedin, Tölz Boys' Choir | B Major | 2 | 1B | 85 BPM | ||
| Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
| Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | C Major | 0 | 8B | 134 BPM | ||
| Camille Claudel, Into the Fire: IV. La Petite Châtelaine | Jake Heggie, Joyce DiDonato, Alexander String Quartet | E♭ Major | 0 | 5B | 129 BPM | ||
| Simon Boccanegra: Act I: Vieni a mirar la cerula (Amelia, Gabriele, Ancella, Pietro) | Giuseppe Verdi, Marina Rebeka, Francesco Meli, Silvia Cialli, Andrea Pellegrini, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | C Major | 0 | 8B | 134 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: V. Infirma nostri corporis II - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | ||
| Trionfo di Afrodite - Concerto scenico: VI. Song of the married couple in the wedding chamber | Carl Orff, Dagmar Schellenberger, Lothar Odinius, Lisa Larson, Eva Maria Nobäuer, Barbara Reiter, Robert Swenson, Franz Welser-Moest, Franz Welser-Möst, Muenchner Rundfunkorchester, Das Münchner Rundfunkorchester | B♭ Minor | 0 | 3A | 180 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | C Major | 0 | 8B | 134 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Los ojos no están aquí | Classical Laguna Experience Orchestra, Gabriela Ortiz, Carmen Acosta, Ludwig Carrasco | A Minor | 2 | 8A | 81 BPM | ||
| Rossini: Petite messe solennelle: II. Gloria, 1. Gloria in excelsis Deo - 2. Et in terra pax (Chorus, Soprano, Alto, Tenor, Bass, Chorus). Allegro maestoso - Andantino mosso | Gioachino Rossini, Antonio Pappano, Serge Koussevitzky, Boston Symphony Orchestra | A Major | 0 | 11B | 82 BPM | ||
| The Kingdom, Op. 51: Ia. In The Upper Room (Seek first the kingdom) | Edward Elgar, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple | D Minor | 2 | 7A | 62 BPM | ||
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM |