"Covenant: II. God of Mercy" by Ralph Shapey, Elsa Charlston had its release date on January 1, 1996. This song appears to be safe for all ages as it is not explicit. The track order of this song in Ralph Shapey, Contemporary Chamber Players Of The University Of Chicago's "Music of Ralph Shapey" album is number 2 out of 10. Covenant: II. God of Mercy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Covenant: II. God of Mercy by Ralph Shapey, Elsa Charlston to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Viola in My Life III | Morton Feldman, Antoine Tamestit, Paulo Alvares | D♭ Major | 0 | 3B | 66 BPM | ||
| Images, Suite No. 3, Op. 35: I. Les ânesses grises sur la route d’El-Azib | Marcel Tournier, Emmanuel Ceysson, Quatuor Voce | G Minor | 0 | 6A | 135 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: II. Scherzo. Allegro molto | Erich Wolfgang Korngold, Calidore String Quartet | F Major | 0 | 7B | 112 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Astral Dance | Kira Nebula | A♭ Minor | 8 | 1A | 104 BPM | ||
| Suite of Preludes: No. 1, Animato | Kazimierz Serocki, Miyako Arishima | B♭ Minor | 3 | 3A | 110 BPM | ||
| Agon, Ballet, K88: IIb. Pas de trois I. Sarabande-Step | Igor Stravinsky, Ilan Volkov, BBC Scottish Symphony Orchestra | F Major | 0 | 7B | 92 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Final Steps | Zion Lambert | G Major | 0 | 9B | 68 BPM | ||
| Schoenberg: 3 Piano Pieces, Op. 11: No. 2 Mässige Achtel (Arr. Busoni) | Arnold Schoenberg, Daniel Barenboim | B♭ Major | 0 | 6B | 97 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | F Major | 0 | 7B | 112 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 6, Fast Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Pulsar 167 - En Vivo | Jimmy Herrera, Juan María Alfredo Herrera | D Major | 3 | 10B | 108 BPM | ||
| Turangalîla-Symphonie: VII. Turangalîla 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Piano Quintet No. 2 "Transience Patterns": I. Prelude | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | F Major | 0 | 7B | 112 BPM | ||
| Fireworks (Live) | Frescobaldi & Tabataki | E Major | 2 | 12B | 95 BPM | ||
| Fabric | Henry Cowell | B♭ Minor | 0 | 3A | 68 BPM | ||
| 12 Nocturnes: No. 8, In Rosenblüten tanzen | Bent Sørensen, Katrine Gislinge | F Major | 0 | 7B | 112 BPM | ||
| Clear Mind | Rylandiaa | E Major | 1 | 12B | 100 BPM | ||
| Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Poem for String Quartet | Rebecca Clarke, Barbican Quartet | F Major | 0 | 7B | 112 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Piano Sonata "To the Victims of Auschwitz": II. Epitaph. Andante teneramente | Agi Jambor, Sarah Cahill | C Minor | 2 | 5A | 105 BPM | ||
| Diagram and Projection: IV. Palette | Alessio Santolini Raggi | F Major | 0 | 7B | 112 BPM | ||
| Cello Sonata in C Major, Op. 65: III. Elegia. Lento | Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 76 BPM |