"L'AMOUR EST UN OISEAU REBELLE - ALTERED VERSION" by Mario Conte had its release date on January 20, 2025. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Opera! Arias For An Eclipse (Original Motion Picture Soundtrack)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Italy. In terms of popularity, L'AMOUR EST UN OISEAU REBELLE - ALTERED VERSION is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'AMOUR EST UN OISEAU REBELLE - ALTERED VERSION by Mario Conte having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Sin Noticias De Tu Interior | Sirenas Celestiales | G Major | 3 | 9B | 141 BPM | ||
| Harmonic Field Pt.2 | Mario Conte | D Major | 7 | 10B | 132 BPM | ||
| Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
| L'AMOUR EST UN OISEAU REBELLE, CARMEN - INSTRUMENTAL VERSION | Mario Conte | D♭ Minor | 2 | 12A | 108 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| Drammatico | Giovanni Allevi | F Major | 5 | 7B | 67 BPM | ||
| Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
| La via | Dmitri Hvorostovsky | F Minor | 7 | 4A | 134 BPM | ||
| Handel: Serse, HWV 40, Act 1: "Frondi tenere... Ombra mai fu" (Xerse) | Philippe Jaroussky | E Major | 1 | 12B | 75 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes | B Minor | 1 | 10A | 90 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act I: "Va! pour Kleinzach" (Hoffmann, Nathanaël, Chorus) | Jacques Offenbach, Michael Spyres, Choeur de l'Opéra national du Rhin, Mario Montalbano, Marko Letonja, Orchestre Philharmonique De Strasbourg | G Major | 0 | 9B | 107 BPM | ||
| Cold Song | Henry Purcell, Mathieu Salama | C Minor | 2 | 5A | 195 BPM | ||
| Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
| Il Gattopardo | Nino Rota, Vienna Walzer Orchestra, Sandro Cuturello | F Major | 2 | 7B | 111 BPM | ||
| Magnificat: I. Magnificat anima mea Dominum | MartÍn Palmeri, Aleksandra Turalska, Chór Astrolabium, Elżbieta Biskupska, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga Litowska | G Major | 1 | 9B | 112 BPM | ||
| Venezia | Mark Padmore | G Minor | 1 | 6A | 116 BPM | ||
| Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | A♭ Major | 1 | 4B | 69 BPM | ||
| Triste Anima Mia | Alessandro Gozzo, Cats Rule the World | D Major | 3 | 10B | 105 BPM | ||
| Nabucco - Fly Away, Free Thought, on the Wings of Yearning | Giuseppe Verdi, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | F♯ Minor | 1 | 11A | 80 BPM | ||
| Collins | EPO, Ciro Tuzzi, Mario Conte, Giuseppe Innaro | C Major | 4 | 8B | 136 BPM | ||
| Trois mélodies, Op. 23: No. 2, Notre amour | Dilyana Georgieva, Galina Apostolova | E Major | 3 | 12B | 102 BPM | ||
| Preghiera | Carmine Coppola | C Major | 2 | 8B | 85 BPM |