"L'AMOUR EST UN OISEAU REBELLE, CARMEN - INSTRUMENTAL VERSION" by Mario Conte had its release date on January 20, 2025. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "The Opera! Arias For An Eclipse (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. In terms of popularity, L'AMOUR EST UN OISEAU REBELLE, CARMEN - INSTRUMENTAL VERSION is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'AMOUR EST UN OISEAU REBELLE, CARMEN - INSTRUMENTAL VERSION by Mario Conte having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barbieri: El barberillo de Lavapiés: "Canción de Paloma" | Lisette Oropesa | A Major | 2 | 11B | 142 BPM | ||
| Parlami d'amore Mariù | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 87 BPM | ||
| Magnificat: I. Magnificat anima mea Dominum | MartÍn Palmeri, Aleksandra Turalska, Chór Astrolabium, Elżbieta Biskupska, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga Litowska | G Major | 1 | 9B | 112 BPM | ||
| Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
| Parlami d'amore, Mariu (arr. L. Logi) [Orch. L. Logi] | Cesare Andrea Bixio, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 92 BPM | ||
| La traviata / Act III: Teneste la promessa...Addio del passato | Giuseppe Verdi, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | A Minor | 0 | 8A | 92 BPM | ||
| Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
| Don Pasquale: Quel guardo il cavaliere ... So anch'io la virtù magica | Gaetano Donizetti, Nadine Sierra, Les Frivolités Parisiennes, Giacomo Sagripanti | D♭ Major | 2 | 3B | 82 BPM | ||
| La Mia Letizia Infondere | The Young Pavarotti | E Major | 3 | 12B | 146 BPM | ||
| L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
| Oh! Quante Volte | Dísella | B♭ Major | 1 | 6B | 110 BPM | ||
| Ave Maria di Caccini | Carmelo Emanuela Patti, Giulia Monti, Jiapei Huang, Lucio Enrico Fasino, Valentino Alessandrini, DiMaio | F Major | 3 | 7B | 73 BPM | ||
| Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
| Ave Maria - Caccini | Hannah Holgersson | B♭ Minor | 1 | 3A | 94 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Fantasias Solitarias | Sirenas Celestiales | B Minor | 2 | 10A | 92 BPM | ||
| Donizetti: L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | B♭ Minor | 1 | 3A | 83 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, Olga Borodina, José Cura, London Symphony Orchestra | D♭ Major | 1 | 3B | 129 BPM | ||
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
| NESSUN DORMA, TURANDOT (feat. Valentino Buzza) | Mario Conte, Valentino Buzza | D Major | 4 | 10B | 162 BPM | ||
| Granada | Agustín Lara, Bryn Terfel, Joseph Calleja, Czech Philharmonic, Paul Bateman | B Minor | 5 | 10A | 163 BPM | ||
| Linda di Chamonix: O luce di quest' anima | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | F Major | 2 | 7B | 114 BPM | ||
| La traviata - Intermezzo | Peter Illenyi | D♭ Major | 2 | 3B | 126 BPM |