- BPM
- 82
- Key
- D Major
- Camelot
- 10B
Pomp & Circumstance March No. 1 by Paul Daniel Song Details
Paul Daniel's 'Pomp & Circumstance March No. 1' had a release date set for 1998. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 20 out of 20 in Elgar: Enigma Variations by Paul Daniel. Pomp & Circumstance March No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Pomp & Circumstance March No. 1 by Paul Daniel is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -15.007 dB
- Acousticness
- 90%
- Danceability
- 16%
- Energy
- 32%
- Instrumentalness
- 91%
- Liveness
- 18%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 20%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Acte III - Tableau IV : Salve Regina | Francis Poulenc, Jean-Pierre Marty | G Major | 2 | 9B | 69 BPM | |
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 | Kyrie | Juergen Budday | A♭ Major | 1 | 4B | 101 BPM | |
 | Tell Me Why - Original Mix | Bogdan Ioan, Paul Daniel | D♭ Major | 9 | 3B | 128 BPM | |
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 | Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | |
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 | Porgy and Bess, Act I: Summertime | George Gershwin, Renée Fleming, New York Voices, Metropolitan Opera Orchestra, James Levine | B Minor | 2 | 10A | 92 BPM | |
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 | Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM | |
 | Misatango, Misa a Buenos Aires: XI. Sanctus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Minor | 2 | 6A | 96 BPM | |
 | Franck: Mass, Op. 12, FWV 61: Panis angelicus (Arr. Sandré for Choir and Orchestra) | César Franck, Halle Choir, Hallé, Maurice Handford | A Major | 1 | 11B | 85 BPM | |
 | Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 0 | 8B | 134 BPM | |
 | Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | |
 | The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | |
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 | Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Agnus Dei et Communio | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records