"A Lullaby" by Ricky Ian Gordon, Audra McDonald had its release date on September 15, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Way Back to Paradise by Audra McDonald. The song's track number on the album is #13 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. A Lullaby is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since A Lullaby by Ricky Ian Gordon, Audra McDonald has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With A Lullaby being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
| Younger Than Springtime | Matthew Morrison | F Major | 2 | 7B | 179 BPM | ||
| Seven Poems by James Joyce, R. 51: V. Donnycarney | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM | ||
| I Won't Mind | Jeff Blumenkrantz, Audra McDonald | F Major | 1 | 7B | 121 BPM | ||
| Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
| So In Love | Broadway Cast Recording | D♭ Major | 2 | 3B | 82 BPM | ||
| Le Rossignol des lilas | Reynaldo Hahn, Susan Graham | A♭ Major | 1 | 4B | 70 BPM | ||
| But What I Say (Reprise) | Brent Carver, Chad Kimball, Kelli O'Hara | F Major | 1 | 7B | 83 BPM | ||
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | ||
| Maybe | Emily E. Finke | E♭ Major | 3 | 5B | 82 BPM | ||
| Six Lieder, Op. 13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 108 BPM | ||
| Suor Angelica: Laudata Maria! E sempre sia! | Giacomo Puccini, Elizabeth Gale, Hannah Francis, Della Jones, Dame Joan Sutherland, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
| Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
| She's A Woman | Brent Carver | C Major | 1 | 8B | 81 BPM | ||
| My True Love | Glory Crampton | A♭ Major | 2 | 4B | 107 BPM | ||
| Oh! quand je dors, S. 282 (2nd Version) | Franz Liszt, Samuel Mariño, Jonathan Ware | E Major | 0 | 12B | 125 BPM | ||
| No One Has Ever Loved Me | Original Broadway Cast Of 'Passion' | C Major | 0 | 8B | 117 BPM | ||
| One Touch Of Venus: Speak Low | Kurt Weill, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 0 | 8B | 96 BPM | ||
| Mahler: Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen | Gustav Mahler, Sir John Barbirolli, Janet Baker, Hallé | C Major | 4 | 8B | 49 BPM | ||
| H.M.S. Pinafore / Act 1: A maiden fair to see | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 81 BPM | ||
| Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 1 | 8B | 77 BPM | ||
| Coyotes | Melanie Helton, Ricky Ian Gordon | B Minor | 2 | 10A | 100 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| Trees | Oscar Rasbach, Bryn Terfel, Czech Philharmonic, Paul Bateman | F Major | 1 | 7B | 83 BPM |