"Coyotes" by Melanie Helton, Ricky Ian Gordon had its release date on December 9, 2008. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Coyotes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 19 in And Flowers Pick Themselves by Melanie Helton. In terms of popularity, Coyotes is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Coyotes by Melanie Helton, Ricky Ian Gordon is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fêtes galantes, L. 80: No. 1, En sourdine | Claude Debussy, Julie Roset, Susan Manoff | E Major | 1 | 12B | 76 BPM | ||
| Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | E♭ Major | 0 | 5B | 173 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM | ||
| Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | ||
| Mahler: Rückert-Lieder: No. 3, Blicke mir nicht in die Lieder | Gustav Mahler, Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli | C Major | 0 | 8B | 82 BPM | ||
| Mahler: Kindertotenlieder: No. 5, In diesem Wetter, in diesem Braus | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | C Major | 0 | 8B | 82 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| Seven Poems by James Joyce, R. 51: IV. The Pleasant Valley | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM | ||
| L'Enfance du Christ, Op. 25, Première Partie, Le songe d'Hérode: I. Récit "Dans la crèche, en ce temps" | Hector Berlioz, Philippe Herreweghe, La Chapelle Royale, Orchestre des Champs-Élysées, Collegium Vocale Gent, Paul Agnew, Joseph Moor | C Minor | 0 | 5A | 165 BPM | ||
| Hymne à l'amour | Marguerite Angèle Monnot, Samuel Mariño, Jonathan Ware | B♭ Major | 0 | 6B | 139 BPM | ||
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): I. Villanelle | Hector Berlioz, Benjamin Bernheim, Carrie-Ann Matheson | A Major | 3 | 11B | 135 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Manon, Act 2 Scene 4: Adieu notre petite table (Arr. for Countertenor & String Quartet by Eric Mouret) | Jules Massenet, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | ||
| Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
| Le Charme, Op. 2, No. 2 | Ernest Chausson, Jan DeGaetani, Gilbert Kalish | E♭ Major | 0 | 5B | 81 BPM | ||
| And Flowers Pick Themselves, I Thank You God For Most This Amazing | Melanie Helton, Ricky Ian Gordon, Michigan State University Symphony, Raphael Jimenez | F Major | 3 | 7B | 86 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren" | Richard Strauss, Barbara Bonney, Susan Graham, Wiener Philharmoniker, Christoph Eschenbach | F♯ Major | 1 | 2B | 78 BPM | ||
| Mondnacht, WoO 21 | Johannes Brahms, Renée Fleming, Hartmut Höll | G Major | 1 | 9B | 87 BPM | ||
| Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
| Cradle Song | Peter Warlock, Ian Bostridge, Julius Drake | G Minor | 0 | 6A | 138 BPM | ||
| Cuatro canciones antiguas sobre textos sefardíes: IV. Juego de niños | Borja Mariño, Mar Morán, Aurelio Viribay | C Major | 3 | 8B | 79 BPM | ||
| Si vous n'avez rien à me dire | Camille Saint-Saëns, Anne Sofie von Otter, Bengt Forsberg | A Major | 0 | 11B | 135 BPM |