Nirmala Rajasekar, Raghavendra Rao, Tanjore K. Murugaboopathi, V. Suresh's ' "Thavada Soham (Raga Punnagavarali, Aadi Tala)" was released on its scheduled release date, October 26, 2010. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Thavada Soham (Raga Punnagavarali, Aadi Tala)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nirmala Rajasekar's "Into the Raga" album is number 8 out of 10. On top of that, United States appears to be the country where this track was created. Thavada Soham (Raga Punnagavarali, Aadi Tala) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Thavada Soham (Raga Punnagavarali, Aadi Tala) by Nirmala Rajasekar, Raghavendra Rao, Tanjore K. Murugaboopathi, V. Suresh to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gurur Brahma Gurur Vishnu | Neerja Pandit | E♭ Major | 1 | 5B | 81 BPM | ||
| Raga Nilambari - Gat in Vilambit Ektaal | N. Rajam, Zakir Hussain | B Minor | 3 | 10A | 130 BPM | ||
| Janani Ninnuvina - Ritigaula - Adi (Live) | Raghavendra Rao | F♯ Major | 2 | 2B | 151 BPM | ||
| Nadhatanumanisam | A. Kanyakumari | C Major | 6 | 8B | 165 BPM | ||
| Radha Sametha Krishna (Instrumental) | Peri Thyagaraju | A Minor | 4 | 8A | 144 BPM | ||
| Kannoonjal | Mambalam M.K.S. Siva, M.K.S. Natarajan, Rajamani. S, N. Sundaram | B♭ Major | 5 | 6B | 87 BPM | ||
| Ranjani Niranjani - Mandolin | U. Srinivas | G Minor | 8 | 6A | 92 BPM | ||
| Kamod | Buddhadev DasGupta | F Major | 5 | 7B | 168 BPM | ||
| Mayi Re Mei Tho Liyo (Raga Desh, Misra Chapu Tala) | Nirmala Rajasekar, Raghavendra Rao, Tanjore K. Murugaboopathi, V. Suresh | A♭ Major | 5 | 4B | 128 BPM | ||
| Raga Kirwani Gat | Shahid Parvez | B Major | 6 | 1B | 158 BPM | ||
| Raaga Charukeshi Composition in Madhya Laya Teentaal | Imran Khan | D Major | 4 | 10B | 124 BPM | ||
| Endaro Mahanubhavulu - Sri - Adi | Rajhesh Vaidhya, Tyagaraja | A Minor | 8 | 8A | 158 BPM | ||
| Raga Abhogi | Veena Sahasrabuddhe | A Minor | 7 | 8A | 123 BPM | ||
| Moh Maaya | Saaz Mode | B♭ Major | 2 | 6B | 134 BPM | ||
| Ho Gaye Darshan Tumhare | Madan Gopal | F♯ Minor | 5 | 11A | 175 BPM | ||
| Ezhuneelli Varikente Kuttichathan | Amritha. N | A♭ Major | 7 | 4B | 94 BPM | ||
| Jagadodharana - Kapi - Adi | Bhooshani Kalyanaraman | D♭ Major | 5 | 3B | 88 BPM | ||
| Ennam Ellam (Pantuvarali Varnam by Ramana Balachandhran) | Ramana Balachandhran | G Major | 4 | 9B | 168 BPM | ||
| Guruvaayoorappane - Mandolin | U. Srinivas | G Minor | 5 | 6A | 149 BPM | ||
| Sunand Bhairav - Aalap | Milind Date | A Minor | 1 | 8A | 77 BPM | ||
| Raga Darbari - Drut Gat - Teentaal - Instrumental | Amjad Ali Khan, Sabri Khan | B♭ Minor | 7 | 3A | 178 BPM | ||
| Bantureethi - Violin | Kunnakudi Vaidyanathan | B Major | 7 | 1B | 107 BPM | ||
| Pranavaswaroopam - Raga Rushyaketupriya | Sri Ganapathy Sachchidananda Swamiji, L. Subramaniam | D Major | 5 | 10B | 81 BPM | ||
| Nannu Palimpa (Ragam) | Lalgudi G. Jayaraman | F Minor | 1 | 4A | 111 BPM | ||
| Chandram Bhaja | Bombay Jayashri, Muthuswami Dikshitar | C Major | 6 | 8B | 84 BPM |