"Zenith" by Jay Ragsdale had its release date on May 31, 2024. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Zenith's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 8 in again, before by Jay Ragsdale. In terms of popularity, Zenith is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Zenith by Jay Ragsdale is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Drowned in Water and Light | Vessel | D♭ Minor | 2 | 12A | 186 BPM | ||
| I'm a weapon (super slowed) | Vapad | F Minor | 9 | 4A | 72 BPM | ||
| Heavenly Vessel (Original Soundtrack) | Emily Hopkins | A♭ Minor | 4 | 1A | 99 BPM | ||
| Leverage | Hannah Parrott | D♭ Major | 4 | 3B | 110 BPM | ||
| Strange Zones | Nicolas Snyder | C Major | 7 | 8B | 140 BPM | ||
| what if there is an answer, after all? | In The Light | C Major | 3 | 8B | 91 BPM | ||
| Frank's Death - Soldiers (Requiem in D Minor) | John Murphy | D Minor | 1 | 7A | 67 BPM | ||
| Romance cantabile for theremin, piano and double bass | Kepa Lehtinen | D♭ Minor | 1 | 12A | 144 BPM | ||
| Consecution | Neal Acree | E Minor | 6 | 9A | 131 BPM | ||
| Beginning to End: Act VI | Hendyamps Studios, Aimee Norris | C Minor | 3 | 5A | 110 BPM | ||
| Things Beneath | Chilly Makes Music | E Minor | 2 | 9A | 90 BPM | ||
| The End - Slowed | LLow | D♭ Major | 6 | 3B | 100 BPM | ||
| The Resonance of Motion | Sid Acharya | E Minor | 4 | 9A | 77 BPM | ||
| Madeleine | Shruti Kumar | F Minor | 3 | 4A | 66 BPM | ||
| Shrift | Jay Ragsdale | C Major | 8 | 8B | 141 BPM | ||
| Beginning to End: Act III | Hendyamps Studios | C Minor | 2 | 5A | 83 BPM | ||
| The Phantom Skull | Rok Nardin, Paul Lawler | D♭ Major | 6 | 3B | 106 BPM | ||
| Blood - From "Macbeth" Soundtrack | Jed Kurzel | E Minor | 2 | 9A | 138 BPM | ||
| Devil's Door (Instrumental) | Port Sulphur Band | D♭ Minor | 1 | 12A | 60 BPM | ||
| PERPETUUM MOBILE | LudoWic | B♭ Major | 2 | 6B | 132 BPM | ||
| is it finally over? | senkodev | D♭ Major | 1 | 3B | 97 BPM | ||
| Keep Turning - Kara | Philip Sheppard | B♭ Major | 4 | 6B | 147 BPM | ||
| Consequences | Benjamin Young, Roniit | C Minor | 2 | 5A | 80 BPM | ||
| Dining With Lectre | Peter Gundry | G Minor | 2 | 6A | 75 BPM | ||
| The Body Snatcher | Daniel Ciurlizza | A Minor | 3 | 8A | 119 BPM |