Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons's 'Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets' had a release date set for January 1, 1989. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Prokofiev : Suite Nos. 1 & 2 from Romeo and Juliet". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets by Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La gazza ladra: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | E Major | 2 | 12B | 99 BPM | ||
| Pomp and Circumstance, Op. 39: March No. 1 in D Major | Edward Elgar, English Symphony Orchestra, William Boughton | C Major | 2 | 8B | 165 BPM | ||
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Sir Neville Marriner, Academy of St. Martin in the Fields | D♭ Major | 0 | 3B | 97 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 2 | 9A | 117 BPM | ||
| IX. Intermezzo | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 0 | 9B | 63 BPM | ||
| A Downland Suite: III. Minuet | John Ireland, English String Orchestra, William Boughton | B♭ Major | 0 | 6B | 116 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra | C Major | 4 | 8B | 72 BPM | ||
| Tambourin | Francois-Joseph Gossec, James Galway, National Philharmonic Orchestra, Charles Gerhardt | F Major | 2 | 7B | 143 BPM | ||
| Song for Orchestra, Op. 33 | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Adagio - Spartacus | Aram Khachaturian, Royal Liverpool Philharmonic Orchestra, Libor Pešek | A♭ Major | 1 | 4B | 116 BPM | ||
| Sympnony No.9 in E minor, Op.95 'From the New World': Largo | Antonín Dvořák, Prague Symphony Orchestra;Libor Pesek | D♭ Major | 0 | 3B | 131 BPM | ||
| The Lochnagar Suite: II. Dark Lochnagar | Nigel Hess, Central Band Of The Royal Air Force | D Minor | 0 | 7A | 124 BPM | ||
| Bizet: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Emmanuel Pahud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Aladdin, Op. 34, FS 89, CNW 17, Act III: Oriental Festival March | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir, Danish National Radio Symphony Orchestra | A Minor | 0 | 8A | 165 BPM | ||
| Korngold: Die tote Stadt, Op. 12, Act I: Lied. "Glück, das mir verblied" (Marietta) [Arr. for Trumpet] | Erich Wolfgang Korngold, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | B♭ Major | 1 | 6B | 71 BPM | ||
| The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Chicago Symphony Orchestra, James Levine | E Minor | 0 | 9A | 83 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Dance of the Knights (The Apprentice Theme - UK) | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | B♭ Major | 1 | 6B | 82 BPM | ||
| Vaughan Williams: Symphony No. 5 in D Major: III. Romanza. Lento | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | A Minor | 0 | 8A | 69 BPM | ||
| Introit in F Major, Op. 6 | Gerald Finzi, Lesley Hatfield, Royal Northern Sinfonia, Howard Griffiths | D Minor | 1 | 7A | 85 BPM | ||
| Holst: The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | F Minor | 3 | 4A | 78 BPM | ||
| Symphony No. 1 in E Minor: III. Juba Dance. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Major | 2 | 8B | 110 BPM | ||
| Concertino for Flute and Orchestra, Op. 107 | Cécile Chaminade, Susan Milan, Richard Hickox, City of London Sinfonia | D Major | 1 | 10B | 116 BPM | ||
| Wagner: Die Walküre, Act 3: Walkürenritt (Concert Version. Lebhaft) | Richard Wagner, Klaus Tennstedt, Berliner Philharmoniker | G Major | 3 | 9B | 95 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | D Major | 1 | 10B | 88 BPM |