"Two Psalms and a Proverb: III. How Long Wilt Thou Forget Me, O Lord?" by Ned Rorem, St Martin's Voices, Piatti Quartet, Toby Hughes, Andrew Earis had its release date on March 28, 2025. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Rorem: Choral Works". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Two Psalms and a Proverb: III. How Long Wilt Thou Forget Me, O Lord? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Two Psalms and a Proverb: III. How Long Wilt Thou Forget Me, O Lord? by Ned Rorem, St Martin's Voices, Piatti Quartet, Toby Hughes, Andrew Earis having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Early in the Morning (Robert Hilyer) | Ned Rorem, Nathan Gunn, Kevin Murphy | C Minor | 0 | 5A | 102 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Choralgesänge: No. 71, Du, o schönes Weltgebäude, BWV 301 | Johann Sebastian Bach, Alessandro Simonetto | D♭ Major | 0 | 3B | 109 BPM | ||
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM | ||
| Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Liszt: Recueillement, S. 204 | Franz Liszt, Stephen Hough | B Major | 0 | 1B | 133 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | D♭ Major | 0 | 3B | 109 BPM | ||
| I'll bid my heart be still | Rebecca Clarke, Philip Dukes, Sophia Rahman | D Minor | 0 | 7A | 83 BPM | ||
| Trys Preliudai I | Mikalojus Konstantinas Čiurlionis, Arvydas Malcys | A Minor | 1 | 8A | 78 BPM | ||
| Belshazzar's Feast Suite, Op. 51 (Version for Piano): No. 2, Solitude | Jean Sibelius, Henri Sigfridsson | C Major | 0 | 8B | 128 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Agnus Dei, "In memoriam Oleg Kagan": I. Agnus Dei (Larghetto) | Tigran Mansurian, Roeland Hendrikx Ensemble | D♭ Major | 0 | 3B | 109 BPM | ||
| Liszt: Ave Maria IV, S. 545 | Franz Liszt, Stephen Hough | G Major | 0 | 9B | 93 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | D♭ Major | 0 | 3B | 109 BPM | ||
| Seven Motets for the Church Year: VI. Today the Holy Spirit Appeared (Pentecost) | Ned Rorem, Daisy Walford, St Martin's Voices, Andrew Earis | G Major | 1 | 9B | 67 BPM | ||
| Symphony No. 2: Tranquillo | Bournemouth Symphony Orchestra, Ned Rorem | B♭ Minor | 1 | 3A | 96 BPM | ||
| Symphony No. 3: Passacaglia | Bournemouth Symphony Orchestra, Ned Rorem | D Minor | 1 | 7A | 111 BPM | ||
| Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice | Frederick Delius, Gerald Peregrine, Antony Ingham | C Major | 0 | 8B | 125 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM |