- BPM
- 86
- Key
- B Minor
- Camelot
- 10A
Възпев за Рилската обител: Кантата: за солист, мъжки хор и симфоничен оркестър: 2. Писмо на Иван Рилски до цар Петър by Alexander Tanev, Ансамбъл за песни на българското радио и телевизия, Mihail Milkov, Dimiter Stanchev Song Details
"Възпев за Рилската обител: Кантата: за солист, мъжки хор и симфоничен оркестър: 2. Писмо на Иван Рилски до цар Петър" by Alexander Tanev, Ансамбъл за песни на българското радио и телевизия, Mihail Milkov, Dimiter Stanchev had its release date on January 30, 1983. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Александър Танев: Възпев за Рилската обител - Димитър Петков: Реквием за Желю Демиревски, so we believe that "Възпев за Рилската обител: Кантата: за солист, мъжки хор и симфоничен оркестър: 2. Писмо на Иван Рилски до цар Петър" is a single. Възпев за Рилската обител: Кантата: за солист, мъжки хор и симфоничен оркестър: 2. Писмо на Иван Рилски до цар Петър is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Възпев за Рилската обител: Кантата: за солист, мъжки хор и симфоничен оркестър: 2. Писмо на Иван Рилски до цар Петър by Alexander Tanev, Ансамбъл за песни на българското радио и телевизия, Mihail Milkov, Dimiter Stanchev is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
Music Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -10.226 dB
- Acousticness
- 98%
- Danceability
- 20%
- Energy
- 42%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 83%
- Speechiness
- 4%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | |
 | Quousque Dómine (salmo 12) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | |
 | Requiem for the Living: II. Vanitas Vanitatum | Dan Forrest, Bel Canto Company, Welborn Young | A Minor | 4 | 8A | 145 BPM | |
 | The Desert Music: Ⅳ. moderate | Steve Reich, Joe Hisaishi, 東京混声合唱団, Future Orchestra Classics | D♭ Major | 4 | 3B | 103 BPM | |
 | Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 1 | 10B | 99 BPM | |
 | Vistas | ASKII | B Minor | 3 | 10A | 114 BPM | |
 | The East Is Red | Huan Zhi Li, Shanghai Philharmonic Chorus, Ding Cao, Shanghai Philharmonic Orchestra | F Major | 3 | 7B | 60 BPM | |
 | Reliquary: 3. Antiphon & Chorus - For Burberry | Ilan Eshkeri, London Metropolitan Orchestra, Rosey Chan, Bethany Horak Hallett, Daisy Chute, Tim Lacy | E♭ Major | 2 | 5B | 127 BPM | |
 | Moneycounters | Dynamedion | G Minor | 1 | 6A | 133 BPM | |
 | Dextera Domini, FWV 65 | César Franck, Ensemble Vocal de Lausanne, Marie Jaermann, Jonathan Spicher, Michel Corboz, Manuel Rebelo | B♭ Major | 2 | 6B | 91 BPM | |
 | 127 - Meu bom Jesus, Contigo almejo estar | Orquestra Sacra | B♭ Minor | 0 | 3A | 107 BPM | |
 | Agnus Dei | Samuel Barber, Seán Matthew Deibler, Choral Arts Society of Philadelphia, The Music Group of Philadelphia | B Major | 2 | 1B | 72 BPM | |
 | The Humming Chorus (Madama Butterfly) | Dr. Kathleen McGuire, San Francisco Gay Men's Chorus | B♭ Major | 0 | 6B | 72 BPM | |
 | Grande messe des morts, Op. 5, "Requiem": Hostias | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Minor | 0 | 3A | 107 BPM | |
 | Golden Brown x Love Story - Orchestral Version | Witch Requiem | A Minor | 5 | 8A | 141 BPM | |
 | Symphony No. 3, Op. 36, "Symfonia piesni zalosnych" (Symphony of Sorrowful Songs): II. Lento e largo - Tranquillissimo | Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 87 BPM | |
 | Imini yokohlulwa | Soweto Suoni Corali | B♭ Minor | 0 | 3A | 107 BPM | |
 | Petite messe solennelle, Gloria: V. Gratias | Gioachino Rossini, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | A Major | 1 | 11B | 99 BPM | |
 | Carmina Burana: Fortune plango vulnera | Carl Orff, Ross Pople | A Minor | 1 | 8A | 114 BPM | |
 | Ventus | Astringe | A Minor | 1 | 8A | 76 BPM | |
 | Lucy, Charlotte And Miss Lavish See The City | Richard Robbins, Richard Robbins And Orchestra, Orchestra | F Major | 1 | 7B | 84 BPM | |
 | Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM | |
 | Above Water | Tan Dun | A Minor | 0 | 8A | 89 BPM | |
 | Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | |
 | 122 - Alegrei-me quando me disseram... | Orquestra Sacra | D♭ Minor | 4 | 12A | 83 BPM |
- ISRC
- BGA672221322
- Label
- L-M Records/RCA Records