"Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII" by Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner had its release date on 1960. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43 - de Falla: Nights in the Gardens of Spain". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII by Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sound Of Silence (Arr. Lawson, Trueman) | Paul Simon, Miloš Karadaglić, 12 Ensemble | D Minor | 1 | 7A | 92 BPM | ||
| Suite española No. 1, Op. 47: Granada (Serenata) | Isaac Albéniz, Alicia de Larrocha | F Major | 0 | 7B | 63 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. Ases død (The Death of Ase) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A Minor | 1 | 8A | 59 BPM | ||
| Nocturne No. 14 in G Major, H. 58D | John Field, Elizabeth Joy Roe | G Major | 0 | 9B | 113 BPM | ||
| Prélude à l'après-midi d'un faune, CD 87a | Claude Debussy, The Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | ||
| Kinderszenen, Op. 15: No. 7 Träumerei | Robert Schumann, Jan Lisiecki | C Minor | 1 | 5A | 75 BPM | ||
| Nocturnes, Op. 37: No. 2 in G Major | Frédéric Chopin, Arthur Rubinstein | A♭ Major | 1 | 4B | 78 BPM | ||
| Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
| E lucevan le stelle | Peter Illenyi | D♭ Major | 2 | 3B | 126 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61: VII. Notturno. Con moto tranquillo | Felix Mendelssohn, Iván Fischer, Budapest Festival Orchestra | E Major | 0 | 12B | 64 BPM | ||
| Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Var. 18 "The 18th Variation" | Sergei Rachmaninoff, Yuja Wang, Mahler Chamber Orchestra, Claudio Abbado | D♭ Major | 0 | 3B | 81 BPM | ||
| Concertino for Guitar and Orchestra in A Minor, Op. 72: II. Romanza | Salvador Bacarisse, Salvadore Bacarisse, Karin Schaupp, Benjamin Northey, Tasmanian Symphony Orchestra | A Major | 1 | 11B | 116 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 90 BPM | ||
| Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Maria Larionoff, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 0 | 6B | 95 BPM | ||
| Liszt: 3 Liebesträume, S. 541: No. 3 in A-Flat Major | Franz Liszt, Martin James Bartlett | A♭ Major | 0 | 4B | 71 BPM | ||
| Somewhere In Time - Main Theme - From "Somewhere in Time" | John Barry, Hollywood Bowl Orchestra, John Mauceri | C Major | 2 | 8B | 84 BPM | ||
| Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Royal Liverpool Philharmonic Orchestra, Libor Pešek | F Major | 1 | 7B | 87 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| Liszt: 6 Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Mariam Batsashvili | D♭ Major | 0 | 3B | 75 BPM | ||
| Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | E♭ Major | 1 | 5B | 83 BPM | ||
| 2 Mélodies, Op. 3: 1. Moderato assai | Anton Rubinstein, Shura Cherkassky | F Major | 1 | 7B | 75 BPM | ||
| Liebestraum No. 3 in A-Flat Major, S. 541 / 3 | Franz Liszt, Arthur Rubinstein | A♭ Major | 1 | 4B | 98 BPM |