"No. 3, Scherzando" by Gabriel Pierné, Rudolf Müller had its release date on February 20, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rudolf Müller's "Great European Organs, Vol. 95: Monastery Church, Mariannhill" album is number 7 out of 13. On top of that, United Kingdom appears to be the country where this track was created. No. 3, Scherzando is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of No. 3, Scherzando by Gabriel Pierné, Rudolf Müller to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Easter Sonata: I. Allegro assai moderato | Fanny Mendelssohn, Isata Kanneh-Mason | E Minor | 0 | 9A | 95 BPM | ||
| Debussy: Petite Suite ~ En Bateau | Anthony & Joseph Paratore | G Major | 0 | 9B | 67 BPM | ||
| Fantasiestücke, Op. 12: Des Abends | Robert Schumann, Tanguy de Williencourt | A Major | 1 | 11B | 87 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 7b, Fugue in A Major | Dmitri Shostakovich, Sofia Sacco | A♭ Minor | 0 | 1A | 70 BPM | ||
| Cydalise et le chevre-pied: Marche de fauves (arr. for 4 clarinets and barrel organ) | Anonymous, Gabriel Pierné, Michael Riessler, Pierre Charial, Trio Di Clarone | G Major | 5 | 9B | 113 BPM | ||
| Valse, FP 53 | Francis Poulenc, Dario Müller | C Major | 2 | 8B | 102 BPM | ||
| Mendelssohn, Fanny: 6 Lieder, Op. 7, No. 2 Erwin | Fanny Mendelssohn, Maria Ioudenitch, Kenny Broberg | E♭ Major | 2 | 5B | 109 BPM | ||
| Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
| Suite: Graceful Dance | Ernest Tomlinson, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 3 | 10B | 133 BPM | ||
| Contes bleus, No. 2 Op. 122 | Cécile Chaminade, Eric Parkin | E♭ Major | 1 | 5B | 110 BPM | ||
| Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM | ||
| Violin Sonata in D Minor, Op. 36: I. Allegretto | Gabriel Pierné, Maria Milstein, Nathalia Milstein | D♭ Major | 2 | 3B | 90 BPM | ||
| Rêve d'enfant, Op. 14 | Eugène Ysaÿe, Natalia Lomeiko, Iván Martín | A Major | 2 | 11B | 142 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM | ||
| Douze valses, Le ruban dénoué: No. 3, Souvenir… Avenir… | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | E Major | 1 | 12B | 108 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | A Major | 2 | 11B | 142 BPM | ||
| Trois Pièces, Op. 29: II. Cantilène | Gabriel Pierné, Ben van Oosten | E♭ Major | 0 | 5B | 137 BPM | ||
| Suite in the Olden Style, Op. 24: II. Allemande | Ernst von Dohnányi, Sofja Gülbadamova | C Major | 3 | 8B | 110 BPM | ||
| No. 5, Rose | Dora Pejačević, Donka Angatscheva | E Major | 0 | 12B | 129 BPM | ||
| Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Leif Ove Andsnes, Christian Tetzlaff, Tanja Tetzlaff | D Minor | 0 | 7A | 84 BPM | ||
| Le chant de la terre: Intermezzo. Conte a la veillee | Déodat de Séverac, Jordi Masó | B♭ Minor | 1 | 3A | 86 BPM | ||
| Piano Trio in C Minor: III. Adagio | Nikolai Rimsky-Korsakov, Trio Karénine | A Major | 4 | 11B | 124 BPM | ||
| 9 Preludes, Op. 103: No. 7 in A Major | Gabriel Fauré, Kun-Woo Paik | A Major | 1 | 11B | 109 BPM |