On September 14, 2005, the song "Maa Tu Kem Rishani" was released by Master Rana. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Maa Tu Kem Rishani's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "O Ambe Maiya". In this album, this song's track order is #16. Furthermore, we believe that the track originated from India. Maa Tu Kem Rishani is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Maa Tu Kem Rishani by Master Rana having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jaha Le Chaloge Wahi Main Chalunga | Devendra Pathak | A♭ Major | 7 | 4B | 110 BPM | ||
| Mari Javani Ni Leela - From "Dadagiri" | Hiral Dave, Master Rana, Kashi Kashyap | E♭ Minor | 8 | 2A | 133 BPM | ||
| Laga Ke Aas Main Baitha Hoon | Rajesh Chandra | D♭ Major | 8 | 3B | 141 BPM | ||
| Om Hanu Hanumate Namo Namah | Sadhana Shree | D♭ Major | 7 | 3B | 96 BPM | ||
| Vijline Chamkare Motida Parovo | Lalita Ghodadra | G Minor | 6 | 6A | 99 BPM | ||
| Ho Ho Re Kan Lage Ruparo | Hari Bharwad | F Major | 5 | 7B | 129 BPM | ||
| Mandir Aavo Manigar | Rajkot Gurukul | E♭ Minor | 6 | 2A | 76 BPM | ||
| Jai Ganesh Jai Mahaadeva | Humsar Hayaat Nizami | F♯ Minor | 8 | 11A | 130 BPM | ||
| Duniya Ka Bankar Dekh Liya | Chitra Vichitra Ji Maharaj | A Minor | 7 | 8A | 81 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Amrutachi Godi Tuzya Bhajanat | Suryakant Shinde | F♯ Minor | 9 | 11A | 86 BPM | ||
| Bhajan Karva Me Bolavyo | Master Rana | B♭ Major | 6 | 6B | 114 BPM | ||
| Choti Choti Gayia Chote Chote Gwal | Shridhay Shri Mridul krishna shastri ji maharaj | D♭ Major | 7 | 3B | 112 BPM | ||
| Mithe Ras Se Bharyo Re Radha | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | F♯ Major | 7 | 2B | 93 BPM | ||
| Dattatreya Guru Tumhich Na | Sameer Vijaykumar | D Major | 6 | 10B | 152 BPM | ||
| Sai Leela Pahuni | Sachidanand Appa | C Major | 7 | 8B | 144 BPM | ||
| Jay Jalaram Bapa Jay Jalaram | Gagan Jethva | D♭ Major | 5 | 3B | 75 BPM | ||
| Achyutam Keshavam | Chetna Shukla | F♯ Major | 8 | 2B | 140 BPM | ||
| Mero to Adhar Shri Vallabh Ke Charnavind | Ami Joshi, Asif Jeriya | F♯ Major | 4 | 2B | 105 BPM | ||
| Lagan Lagi Tose | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Nandadeep Mazya Tevato Antari | Omkar Mahadik | B♭ Minor | 9 | 3A | 125 BPM | ||
| SHRINATHJI SHRIYMUNAJI | NIDHI DHOLKIA NITIN DEVKA | D♭ Major | 7 | 3B | 89 BPM | ||
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| Gehri Narbada N Gehro Pani | Maa Narmada Bhajan | Ashwin Yadav | F♯ Major | 9 | 2B | 75 BPM | ||
| Kali Mata Aarti | Varsha Srivastava | F♯ Major | 8 | 2B | 100 BPM |