Louis Couperin, Jean Rondeau's 'Couperin, L: Suite en ré: I. Prélude, G. 1' had a release date set for November 14, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Louis Couperin, Jean Rondeau's "Louis Couperin: The Complete Works, Vol. I" album is number 1 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Couperin, L: Suite en ré: I. Prélude, G. 1's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Couperin, L: Suite en ré: I. Prélude, G. 1 by Louis Couperin, Jean Rondeau to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keyboard Sonata in B Minor, Kk. 87 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
| Sonata VI in C Minor, ZWV. 181/6: II. [Allegro] | Jan Dismas Zelenka, Ensemble Marsyas, Monica Huggett | F♯ Minor | 2 | 11A | 117 BPM | ||
| Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
| Fantasia, VdGS No. 4 | Thomas Brewer, Ricercar Consort, Philippe Pierlot | B Minor | 1 | 10A | 75 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Marais: Pièces de viole, Livre IV, Suite d'un goût étranger: La Rêveuse | Marin Marais, Thomas Dunford, Myriam Rignol | E Minor | 0 | 9A | 47 BPM | ||
| Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | ||
| The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Musica Alchemica, Lina Tur Bonet | D♭ Major | 1 | 3B | 96 BPM | ||
| De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" | Robert de Visée, Jean Rondeau, Thomas Dunford | D♭ Minor | 2 | 12A | 125 BPM | ||
| Suite dans le style Louis XV: II. Andante | Germaine Tailleferre, Nicolas Horvath | B Major | 2 | 1B | 108 BPM | ||
| Scarlatti, D: Keyboard Sonata in A Minor, Kk. 3 | Domenico Scarlatti, Scott Ross | B Major | 4 | 1B | 111 BPM | ||
| D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) | Jean-Henri d'Anglebert, Alexandre Tharaud | G Minor | 1 | 6A | 70 BPM | ||
| Sonates pour le violoncelle avec la basse continue, livre II, sonate No. 2: I. Adagio | Jean Barrière, Bruno Cocset, Les Basses Réunies, Guido Balestracci | F Minor | 1 | 4A | 73 BPM | ||
| Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
| Viola da Gamba Suite in D Major: X. Minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 142 BPM | ||
| Couperin, L: Suite en fa: IV. Branle de Basque, G. 73 | Louis Couperin, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | ||
| Suite in A Minor: I. Prélude | Robert de Visée, Jakob Lindberg | D Minor | 0 | 7A | 93 BPM | ||
| Libro primo d' intavolatura di lauto: Gagliarda prima | Giovanni Girolamo Kapsberger, Rolf Lislevand | B Major | 1 | 1B | 141 BPM | ||
| Couperin, L: Fugue, OL 62 | Louis Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 85 BPM | ||
| Composizioni per Organo e Cembalo: Canzon II in C Major | Tarquinio Merula, Bernard Foccroulle | F♯ Major | 1 | 2B | 54 BPM | ||
| Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
| Composizioni per Organo e Cembalo: Capriccio cromatico | Tarquinio Merula, Bernard Foccroulle | E♭ Minor | 1 | 2A | 90 BPM | ||
| D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau, Thomas Dunford | A♭ Minor | 1 | 1A | 76 BPM |