"Concertino for String Orchestra: I. Allegretto" by Bernhard Heiden, German Chamber Academy Neuss, Johannes Goritzki had its release date on January 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Piazzolla, A.: Bandoneon Concerto / Rota, N.: Concerto for Strings / Waxman, F.: Sinfonietta / Heiden, B.: Concertino for String Orchestra". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Concertino for String Orchestra: I. Allegretto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concertino for String Orchestra: I. Allegretto by Bernhard Heiden, German Chamber Academy Neuss, Johannes Goritzki having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Someome to Watch over Me (with Catherine Milledge) | George Gershwin, Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Hindemith: Flute Sonata: I. Heiter bewegt | Paul Hindemith, Emmanuel Pahud, Eric Le Sage | F♯ Major | 0 | 2B | 71 BPM | ||
| Bach: Three-Part Inventions, BWV 787/801: NO. 1 in C, BWV 787 | Johann Sebastian Bach, Joseph Alessi, Christian Lindberg, Ian Bousfield | B♭ Major | 1 | 6B | 67 BPM | ||
| Saxophone Sonata, Op. 19: I. With vigor | Paul Creston, Donald Sinta, Nelita True | B Major | 1 | 1B | 122 BPM | ||
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | ||
| Trumpet Concerto, Op. 18: III. Rondo. Allegro scherzando | Oskar Böhme, Matthias Höfs, Tarmo Peltokoski, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
| Pictures at an Exhibition (Arr. L. Karlin for Trombone Ensemble): Promenade I | Modest Mussorgsky, Trombone Unit Hannover, Yuval Wolfson, Martin Hennecke, Dominik Minsch, Johann Walter | F Major | 0 | 7B | 88 BPM | ||
| Bach, JS: Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto (Transcr. for Trumpet) | Johann Sebastian Bach, Lucienne Renaudin Vary | A♭ Major | 2 | 4B | 103 BPM | ||
| Hindemith: Symphony in B flat I. Moderately fast, with vigor | Paul Hindemith, Royal Norwegian Navy Band, Ingar Bergby, Kongelige Norske Marines Musikkorps | E♭ Minor | 2 | 2A | 133 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Concerto for Trumpet & Orchestra: I. Vif | Henri Tomasi, Philip Smith, New York Philharmonic, Zubin Mehta | F Major | 1 | 7B | 74 BPM | ||
| Poem for Oboe & Piano | Marina Dranishnikova, David Walter, Magdalena Duś | B Major | 2 | 1B | 150 BPM | ||
| Euphonium Concerto: I. Allegro assai | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | A Major | 1 | 11B | 72 BPM | ||
| Carmen Fantasy - III. Intermezzo: (Bizet) | Joseph Alessi | B♭ Major | 0 | 6B | 64 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 8. Transition - No. 9. Two Daughters: One with a Reward - No. 10. Kittens Duet with Fugue | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | B♭ Major | 1 | 6B | 67 BPM | ||
| Songs of a Wayfarer (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| Dukas: Villanelle | Paul Dukas, Dennis Brain, Gerald Moore | C Major | 0 | 8B | 69 BPM | ||
| Due Tramonti (Arr. for Euphonium & Piano by Anonymous) | Ludovico Einaudi, David Childs, Christopher Williams | F Major | 0 | 7B | 69 BPM | ||
| Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | ||
| Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 1, Nicht schnell | Robert Schumann, Albrecht Mayer, Markus Becker | A Minor | 0 | 8A | 77 BPM | ||
| タンゴの歴史 カフェ 1930 | Nobuya Sugawa | D Minor | 1 | 7A | 90 BPM | ||
| Four Movements for Saxophone Quartet and Timpani: II. Allegro molto | Bernhard Heiden, Andrew J. Allen, Matthew Tracy, Gregory Dewhirst, Andy Wright, Gordon Hicken | C Minor | 1 | 5A | 151 BPM | ||
| Respectfully Yours (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | E♭ Major | 5 | 5B | 123 BPM | ||
| Alto Saxophone Sonata: II. Vivace | Bernhard Heiden, Donald Sinta, Nelita True | E♭ Minor | 0 | 2A | 73 BPM |