Rouse : Concert de Gaudí : III Svolazzante by Christopher Rouse, Sharon Isbin, Muhai Tang, The Gulbenkian Orchestra Song Details

"Rouse : Concert de Gaudí : III Svolazzante" by Christopher Rouse, Sharon Isbin, Muhai Tang, The Gulbenkian Orchestra had its release date on August 31, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Tan Dun & Rouse : Guitar Concertos". In this album, this song's track order is #3. Based on our statistics, Rouse : Concert de Gaudí : III Svolazzante's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Rouse : Concert de Gaudí : III Svolazzante by Christopher Rouse, Sharon Isbin, Muhai Tang, The Gulbenkian Orchestra having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.772 dB
Acousticness: 95%
Danceability: 41%
Energy: 24%
Instrumentalness: 84%
Liveness: 13%
Loudness: 67%
Speechiness: 4%
Valence: 12%

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