"Parliament - Amazing Grace Original Score" by David Arnold had its release date on January 1, 2007. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 25 in Amazing Grace Original Score by David Arnold. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Parliament - Amazing Grace Original Score is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Parliament - Amazing Grace Original Score by David Arnold is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What's Happening Out There ? | Éric Serra | D Minor | 5 | 7A | 144 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| African Rundown (From "Casino Royale" Soundtrack) | David Arnold | E Minor | 7 | 9A | 120 BPM | ||
| There Is Hope | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| The Field | Abel Korzeniowski | B Minor | 1 | 10A | 81 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Take It, It's Yours | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 92 BPM | ||
| Oppenheimer | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Everytime You Leave | Sonya Belousova, Giona Ostinelli | B Minor | 3 | 10A | 144 BPM | ||
| Deduction and Deception | David Arnold, Michael Price | G Major | 1 | 9B | 116 BPM | ||
| Dr. Ford | Ramin Djawadi | B Minor | 1 | 10A | 130 BPM | ||
| Potential Clients | David Arnold, Michael Price | G Minor | 2 | 6A | 147 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| Shooting Star | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Minor | 3 | 7A | 84 BPM | ||
| Harlan's Plan | Nathan Johnson | D Major | 2 | 10B | 85 BPM | ||
| The Shadow of the Past | Howard Shore | D Minor | 1 | 7A | 145 BPM | ||
| For Ever, James | Éric Serra | F♯ Major | 1 | 2B | 74 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| All the Great Philanthropists of Our Time Are Businessmen | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Credits | Fernando Velázquez | C Minor | 2 | 5A | 85 BPM | ||
| Welcome To The Real World | Don Davis | C Minor | 0 | 5A | 142 BPM | ||
| The Morrow | Michael Nyman | B♭ Minor | 3 | 3A | 95 BPM |