Bhakta Raj Acharya's 'Jau Kaha Ma' had a release date set for March 31, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Samarpan Bhajan-1". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Norway. Jau Kaha Ma is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Jau Kaha Ma by Bhakta Raj Acharya having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pohor Saal | Tara Devi | B Major | 4 | 1B | 128 BPM | ||
| Moder Mayer Moto | Gostho Gopal Das | E♭ Minor | 5 | 2A | 149 BPM | ||
| Manchheko Maya | Narayan Gopal, Gyanu Rana | D♭ Minor | 3 | 12A | 81 BPM | ||
| Na Dhan Tyagera | Bhakta Raj Acharya | C Major | 6 | 8B | 150 BPM | ||
| Phele Asha Smriti Amar - Male Version | R. D. Burman, Amit Kumar | E♭ Major | 4 | 5B | 93 BPM | ||
| Maya Aafai Baschha | Uday Sotang, Manila Sotang | D♭ Major | 6 | 3B | 79 BPM | ||
| Ami Manush Hoia | Parikshit Bala | D♭ Major | 5 | 3B | 173 BPM | ||
| Ekhoni Biday Bolo Na | Mohd. Rafi | F♯ Minor | 5 | 11A | 138 BPM | ||
| Shiter Shishir Bheja Raat | Bhupen Hazarika | B♭ Major | 3 | 6B | 133 BPM | ||
| Dialouge And Jiban - Khatar Prati Patay | Shyamal Mitra, Supriya Chowdhury | D Major | 2 | 10B | 79 BPM | ||
| Maa Tui Porish Jodi | Amrik Singh Arora | F Major | 5 | 7B | 139 BPM | ||
| Tumi Sandhyar Meghmala | Chinmoy Chatterjee | E Minor | 1 | 9A | 135 BPM | ||
| Yo Mausam Yo Hariyali | Narayan Gopal | F♯ Major | 6 | 2B | 77 BPM | ||
| Keno Tumi badle Gechho | Akhil Bandhu Ghosh | G Minor | 5 | 6A | 124 BPM | ||
| Bar Sukh Saar Paol - Ganga Stuti | Sarda Sinha | D♭ Major | 4 | 3B | 126 BPM | ||
| Phoolai Fulyo | Shambhu Rai | G Minor | 6 | 6A | 134 BPM | ||
| Aami Tomay Joto - Original | Arundhati Holme Chowdhury, NA | A Major | 3 | 11B | 150 BPM | ||
| Mone Pare Sei Din | Indranil Sen | E♭ Major | 3 | 5B | 83 BPM | ||
| O Ma Jasode Go | Amar Pal | D♭ Major | 3 | 3B | 133 BPM | ||
| Amar Praner Manush | Swapan Basu | C Major | 2 | 8B | 101 BPM | ||
| Aaj Ki Raat | Chandan Dass | A♭ Major | 3 | 4B | 79 BPM | ||
| Ganer Surer Asankhani | Suchitra Mitra | E♭ Major | 5 | 5B | 182 BPM | ||
| Ma Royepani | Arun Thapa | D Major | 5 | 10B | 91 BPM | ||
| Ei Duniyata Tasmahal | Gostho Gopal Das | E Major | 7 | 12B | 135 BPM | ||
| O Aji Bihu Bihu | Mahananda Majinder Barua | D Minor | 5 | 7A | 108 BPM |