Nina Mehta, Rajendra Mehta's ' "Commentary / Woh Jo Gale Milke Juda Ho Gaye" was released on its scheduled release date, January 1, 1984. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Nazrana". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. In terms of popularity, Commentary / Woh Jo Gale Milke Juda Ho Gaye is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Commentary / Woh Jo Gale Milke Juda Ho Gaye by Nina Mehta, Rajendra Mehta having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dekha Jidhar Udhar | Ghulam Ali | D♭ Major | 4 | 3B | 102 BPM | ||
| Hamko mili aisi khushi, jo kahin milti nahin | Brahma Kumaris | D Major | 4 | 10B | 125 BPM | ||
| Maine Munh Ko Kafan Mein Chhupa Jab Liya | Chandan Dass | C Major | 5 | 8B | 134 BPM | ||
| Bechain Bahut Phirna | Ghulam Ali | E Major | 2 | 12B | 118 BPM | ||
| Jhoom Ke Jab Bhi Aa Jata Hai | Vinod Sehgal | B Major | 3 | 1B | 127 BPM | ||
| Dil Ne Kiya Tha Yaad | Bhupinder Singh | G Major | 5 | 9B | 104 BPM | ||
| Tumhara Pyar Bhulaoon Toh - Duet | Attaullah Khan, Hemlata | C Major | 5 | 8B | 144 BPM | ||
| Commentary And Andhere Mein Jo Baithe Hai Sambandh | Mahendra Kapoor, Ameen Sayani, O. P. Nayyar | A♭ Major | 5 | 4B | 89 BPM | ||
| Commentary / Do Din Ki Zindagi | Nina Mehta, Rajendra Mehta | D Major | 3 | 10B | 111 BPM | ||
| Sawan Ke Suhane Mausam Mein | Ahmed Hussain, Mohammed Hussain | D Major | 4 | 10B | 133 BPM | ||
| Uske Bhed Nirale | Jagjit Kaur, Pamela Chopra, Anwar Hussain | A Major | 4 | 11B | 87 BPM | ||
| Commentary And Speech By Dev Anand | Dev Anand, Ameen Sayani | C Major | 4 | 8B | 86 BPM | ||
| Bandhi Re Kahe Preet Piya Ke Sang | Sulakshana Pandit, Kalyanji-Anandji | B Major | 4 | 1B | 125 BPM | ||
| Ma Mansa Meri Laaj Rakh Le | Usha Khanna, Suresh Wadkar | C Major | 9 | 8B | 97 BPM | ||
| Koi Kya Kare | K. J. Yesudas, Laxmikant–Pyarelal | D Minor | 3 | 7A | 122 BPM | ||
| Jhoom Utha Paagal Man | Salma Agha | G Major | 5 | 9B | 101 BPM | ||
| Mere Aansoo Mere Hi Dilke Armanon Ko Le Doobe - Live | Nina Mehta, Rajendra Mehta | A♭ Minor | 4 | 1A | 135 BPM | ||
| Mujhe Tum Nazar Se | Umbayee | A Major | 3 | 11B | 95 BPM | ||
| Jagmag Jagmag Karta Nikla | Kishore Kumar | E♭ Major | 6 | 5B | 120 BPM | ||
| Mile Kisise Nazar To | Ashok Khosla | A Minor | 5 | 8A | 123 BPM | ||
| Bhalobasar Aagun Jwalaao | Manna Dey | F Minor | 3 | 4A | 116 BPM | ||
| Fursate Kaar Faqat Chaar Ghadi Hai Yaaro - Live | Nina Mehta, Rajendra Mehta | C Major | 4 | 8B | 129 BPM | ||
| Tu Abhi Se Waqif - E - Gham Na Ho | Ahmed Hussain, Mohammed Hussain | A♭ Minor | 4 | 1A | 122 BPM | ||
| Kajre Ki Baati | K. J. Yesudas, Sulakshana Pandit | F Major | 4 | 7B | 134 BPM | ||
| Ek Aaye Ek Jaye Musafir | Shyamal Mitra, Salil Chowdhury | D Major | 1 | 10B | 174 BPM |