On 1986, the song "Three Russian Dancers" was released by Ann Rachlin. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "The Nutcracker - The Story Of The Ballet". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Three Russian Dancers is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Three Russian Dancers by Ann Rachlin having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| Prairie Light, 3 Texas Watercolors of Georgia O'Keeffe: III. Starlight Night | Dan Welcher, Honolulu Symphony Orchestra, Donald Johanos | A Major | 0 | 11B | 120 BPM | ||
| Teil 1 - Folge 15: Am jüngsten Tag | Morgan & Bailey, Markus Topf, Joseline Gassen, André Beyer, Joachim Tennstedt, Pat Murphy, Daniela Reidies, Marc Schülert, Gabriele Libbach, Katja Brügger, Ulrike Möckel, Gabrielle Pietermann, Sascha von Zambelly, Andy Muhlack, Robin Brosch | B Major | 7 | 1B | 78 BPM | ||
| Concerto Grosso: I. Allegro-Sonata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | E♭ Major | 2 | 5B | 89 BPM | ||
| Calming January Story by Tchaikovsky | Royal Orchestra | E Major | 1 | 12B | 74 BPM | ||
| Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
| The Pepperland Suite: IV. Sea of Monsters | George Martin, Berlin Music Ensemble, Craig Leon | G Major | 1 | 9B | 115 BPM | ||
| Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
| Teil 20 - Folge 30: Professor van Dusen und der grundlose Mord | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Otto Czarski, Lothar Blumhagen, Wolfgang Condrus, Gerhard Friedrich, Harry Wüstenhagen, Eric Vaessen, Moritz Milar, Herbert Weißbach, Klaus Jepsen, Helmut Zhuber | G Major | 4 | 9B | 115 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| No Where To Go But Up (from "Mary Poppins Returns") | Guy Dearden | B Minor | 4 | 10A | 140 BPM | ||
| Dream Children, Op. 43, No. 1 | Edward Elgar, Adelaide Symphony Orchestra, Ron Spigelman | E♭ Major | 0 | 5B | 71 BPM | ||
| Intermission* - Instrumental | André Previn | G Major | 1 | 9B | 54 BPM | ||
| Frühlingsstimmen (Walzer, Nr.410) | Wiener Philharmoniker | C Minor | 2 | 5A | 139 BPM | ||
| Von Rothbart's Deceitful Trick | Ann Rachlin | A♭ Major | 3 | 4B | 140 BPM | ||
| Chapter 12: Tina In Danger | Bibi and Tina | E Major | 3 | 12B | 89 BPM | ||
| La Belle et Avenant (Beauty and Avenant) | Georges Auric, Moscow Symphony Orchestra, Adriano | F Minor | 0 | 4A | 58 BPM | ||
| Etudes: II. Ronds de jambe | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 182 BPM | ||
| Coleridge-Taylor: The Bamboula, Op. 75 | Samuel Coleridge-Taylor, Kenneth Alwyn, Bournemouth Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
| Fahrenheit 451: The Road - From "Fahrenheit 451" | Bernard Herrmann | C Major | 1 | 8B | 128 BPM | ||
| Sherlock Holmes und Dr. Watson Teil 3 - Die Silhouette des Windes Teil 2 | Sherlock Holmes und Dr. Watson | G Minor | 4 | 6A | 101 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| The Pig and the Farmer | Melbourne Symphony Orchestra, Nigel Westlake | A♭ Major | 1 | 4B | 95 BPM | ||
| Mussorgsky: Boris Godunov, Act 1: Drinking Song. "Kak vo gorode bylo vo Kazani" (Varlaam, Grigoriy, Misail) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Nicolai Gedda, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM |