Bijli Rani, Rekha Rani's ' "Humke Bhale Tu Saiyan" was released on its scheduled release date, May 1, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bijli Rani, Rekha Rani's "Kahan Jaaiba Chhaila" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. Humke Bhale Tu Saiyan is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Humke Bhale Tu Saiyan by Bijli Rani, Rekha Rani to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seeta Ke Sakal Dekhi | Poonam Mishra | E Major | 7 | 12B | 76 BPM | ||
| Janni Nithoor Bisrayih Na Lalanwa | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Kona Ke Likhlo Maiya | Rambabu Jha | A♭ Minor | 6 | 1A | 100 BPM | ||
| PYARA PYARA SHYAM JI | Saurabh Aggarwal, Vishesh Bhanderi | A♭ Major | 8 | 4B | 95 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Sherawali Pahadawali | Sonu Nigam | D Major | 8 | 10B | 88 BPM | ||
| Mela Mein Saali Bhuliyal Daroga Ji | Naresh Kumar Yadav, Bijli Rani | B Major | 8 | 1B | 103 BPM | ||
| Saiyan Chod Ke Dhandha Aav | Madan Rai | D♭ Major | 5 | 3B | 91 BPM | ||
| Mahra Piyar Main Boi Gangour | Vaishali Sen, Motha Kharte | E Minor | 5 | 9A | 155 BPM | ||
| Bhalobese Bhikhari Holam | Gostho Gopal Das | F♯ Major | 7 | 2B | 92 BPM | ||
| Meladi Ma Parchadi | Jayesh Barot, Mahalaxmi Iayar, Vikram Thakor, Sadhana Sargam, Nisha Barot | G Major | 9 | 9B | 145 BPM | ||
| Gahana Chada To Jiyara Jurada | Bijli Rani | A♭ Major | 10 | 4B | 104 BPM | ||
| Ala Ola O Gori | Dukalu Yadav | F Minor | 9 | 4A | 131 BPM | ||
| Nain Sa Nain Milal | Kunj Bihari Mishr, Mithla Ratan | F♯ Major | 7 | 2B | 104 BPM | ||
| Ka Bhaile Matiya Mein | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Mangala Anukula Nam | Satsangee, Haseena Hazarika, Shanta Uzir | F Major | 6 | 7B | 80 BPM | ||
| Lala Ki Paijaniya Baaje Re | Vijay Soni | G Major | 7 | 9B | 130 BPM | ||
| Piya Pardesiya | Devinder Kohinoor | D Major | 5 | 10B | 119 BPM | ||
| Tor Bina Jeeye Naye Paarbaye | Manoj Dehati, Payal Mukherji | E Minor | 7 | 9A | 78 BPM | ||
| Saare Shikwe Gile Bhoola Ke | Dimple Bhumi | F Major | 9 | 7B | 143 BPM | ||
| Pinky Maan Ja | Jittu Khare, Akash Nindane | A♭ Major | 8 | 4B | 136 BPM | ||
| Dulha Ke Kakka Bade Uchakka Samdhan Ko Mare Miss Call Bundeli Gari | Megha Yadav, Pratibha Vishwakarma, Kalpana Kachhuare, Suman Prajapati | F♯ Minor | 9 | 11A | 142 BPM | ||
| Maya Mein E Kaya | Vishnu Ojha | F♯ Major | 6 | 2B | 107 BPM | ||
| Jai Ho Baba Neem Karoli | Lalit Mohan Joshi | F♯ Major | 9 | 2B | 141 BPM | ||
| Ghani Khamma Deshana Dham Ne | Keshav Depawat | E♭ Major | 8 | 5B | 130 BPM |